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Shane Moran - Alternation Journal

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UUV~CL ALILLIYLJICIYI Racial Governmentality: Thornas Jeferson and AI;ic~ln Colonisation<br />

This anxious excitement becomes even clearer in the rest of the letter's third<br />

paragraph. Continuing from the passage above,<br />

I remember your purcliase of a watcli in Philadelphia. If it should not have<br />

proved good, you can probably sell her. In that case I can get for you Iiere.<br />

one made as perfcct as human art can make it for about 24 louis. I have had<br />

sucl~ a one made by the best & most faithful hand in Paris. It has a second<br />

hand. but no repeating. no day of the month. nor other useless thing to<br />

impede and injure tlie movements which are nccessaly. For 12 Iouis liiorc<br />

you can have in the sanx cover, but on the back side cYr. absolutely<br />

unconnected \vitIi the rnovemcnts of the watch. a pcdornetes whicli shall<br />

render you an exact account of the distances you walk. Yourpleasurchereon<br />

shall be awaited (Jefferson 1899.1:73-86)<br />

Here, modern technology and craftsmanship are also placed firmly in Paris, to the<br />

implicit e~nbarrass~nent of Philadelphia, the supposed home of the 1110st enlightened of<br />

revolutions. The letter then proceeds to add politics and the arts to the list of Europe's<br />

claims to the light of Enlightenment. A long discussion of the statue Houdon, a French<br />

sculptor, is to make of George Washington (Jefferson 1899.1:87-110) is followed by a<br />

further recomlnendatio~~ that a bust of Count Rochambeau be placed in the 'new<br />

capitol' ncxt to 'that of Gates, Greene, Franklin' in honor of his similar contr~bution<br />

(Jefferson 1899 1.137-1451, and an excited description of 'one new invention ... a<br />

mixture of the arts of engraving and pnnting, rendering both cheaper' (Jefferson<br />

1899 1,158-1 70)". Jefferson also makes a recommendation that the Marquis de<br />

Lafayette be glven land in the U S. in honor of his contributio~i to the ~nlighte~rnent~'.<br />

In fact, Jefferson justifies this gift of land on the grounds that 'the day [may] come when<br />

it might be an useful asyluln to him' (122f). That this day, in which the U.S. would be<br />

the new home of such enlightened figures as the Marquis, has clearly not arrived-that<br />

it is still to come-is precisely the source of the letter's ambivalence over the traffic of<br />

Enlightenment from Europe to the U.S.<br />

Jefferson's final comments to Madison, given in a post-script, only deepen this<br />

ambivalence:<br />

P.S. Could you procure PL send me an hundred or two nuts of the peccan?<br />

" Jean Baptiste Donaticn de Vimeur, or Count Rochambeau. was a French soldier \vho served<br />

under Washington in the Revolutionary War. Sent to the U.S. in 1780, he got through the Hritisli<br />

blockade in 178 1 and eventually comnlanded French troops in the battle that led to the surrender<br />

of Lord Cornwallis. Made a Marshal of France in 1791, he was then imprisoned and almost<br />

guillotined during the'rerror. butNapoleon later restored his rankand estates.<br />

?"<br />

In recognition of Lafayette's niany activities as a soldier in support of revolutionaries in tlie<br />

U.S. and France, and his troubles in France after the 'Terror. [he U.S. Congress gave him a huge<br />

land grant in Lo~iisianna in 1803, as well as $200.000 and a township in Florida in 1824.<br />

they would enable me to oblige some characters here wliom 1 should be<br />

much gratified to oblige. They s1io~1ld come packed in sand. The seeds ot<br />

the sugar maple too would be a great present (Jefferson 1899.7: 173- 178).<br />

economic satellite of Europe, sending primary goods to France and receiving<br />

ge, the arts, and political luminaries fi-om the same, Jefferson's U.S. is very<br />

11 struggling to capture its share of Enlightenment, and Jefferson is still quite<br />

ed that any such capture will need to be seen and judged by European eyes.<br />

This European surveillance and judgement is particularly powerful to<br />

.son precisely because it is inseparable from Enlightenment. The light of<br />

htenment seems to figure and be figured by the watchful and judgmental gaze of<br />

ope. The letter to Madison thus allegorises a fear inseparable fiom admiration, a<br />

eillance inseparable from freedom, a sovereign judgement inseparable fi.0111 tr~th.<br />

on seems completely subjected to this ambivalence, completely 'at a loss', as he<br />

about the missing copy of 'Notes on the State of Virginia'. Just as that missing<br />

1s bound to be 'mutilated however in it's freest parts' (Jefferson 1 S99.1:52f), so too<br />

s Jefferson seem to becoine most anxious at precisely the moments of his closest<br />

oximity to, and his deepest excitement over, Enlightenment.<br />

governmen tality<br />

s not, however, content to oscillate perpetually within this ambivalent and<br />

x~cal scene of Enlightenment and surveillance, of anxious excitement, of<br />

eedotn'. Devoted as he is to his vocation ofnation-state building, he works<br />

capture and render the light by which he is simultaneously watched and judged.<br />

uently, as persistently as this ambivalence resurfaces throughout his<br />

ce, so too does a meticulous for~nulation of its resolution. Consider, for<br />

tter Jefferson wrote to the Marquis de Lafayette in 1820 (20 Dec.)<br />

n 1899.X: 179-1 8 1 ). This exemplary speech act-in which a representative of<br />

responds to a representative of France about the way Europe strikes the U.S.<br />

both have been struck by the light of the Enlightenment--is shot through<br />

ornents of 'infelicity', or what J.L. Austin would call 'non-serious', 'parasitic',<br />

I-ordinary' interruptions of ordinary, direct communication. On the one hand,<br />

on declares that he knows just what is 'going on' in France and in the U.S.,<br />

fident tone which pervades the letter. And yet, in the process of trotting<br />

ny of the rhetorical conventions of Enlightenment discourse, Jefferson stages a<br />

drama in which the trope ofnational unity and power emerges to offer a coherent<br />

icitous resolution to the conflict among Enlightenment, European judgement,<br />

is letter to the Marquis, Jefferson attempts nothing less tharr the task of<br />

e Enlightenrxent. The letter has five general sections: first, Jeffeferson's<br />

his failing liealth (Jefferson 1899.1: 1-9); second, Jefferson's concerns<br />

he state of affairs in France, and Europe in general (Jefferson I X90.1:9-26j; third,<br />

son's atternpt to reassure Marquis about conflicts between Spain and tlie 1J.S. over

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