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Shane Moran - Alternation Journal

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wolnen' has cxetnplary status (llaymond I996<br />

L,eavis' sliding of critic and artist into one co~nposite figure in Fov C'ontin~~ily (<br />

all act of transference resliapes Fleait, as an ol~tsidcr interpreting a I-ural Bots<br />

community, in the image ofIhc sensitive acad<br />

of a colnlnoll11~1nanit): or obligations, and t<br />

a ~ reader ~ d effectively cuts [tie subject offfrorn the forces that determine it.<br />

Barbara Bobven, the IJ.S. series editor of South Afviccrn ~enzjnisrns'<br />

concludes her overview of scholarship in the immediate post-apartheid years b<br />

echoing the theme of developing equity:<br />

Black women's autobiographies, oral literature, and ritual narrative come<br />

under djscnssion here, not just as rich textual performances but as conlplex<br />

nlediations between black and white women, between State power and<br />

traditional patriarchy (Bowen 1996:xi).<br />

Texts are conceived as 'complex mediation<br />

discours, is the enabling site where these e<br />

between State power and traditional pat<br />

foml of these positions inside and outs<br />

conception of the institution as an open netwo<br />

" Isahel Hofineyr (1992) has cautioned against the 'vague and ailistorical' approach of m<br />

feminist literary studies. Nadine Gordimer (1983<br />

~ljstoricisatioll of categories within humanis<br />

'swallow this (old) view ofgenius as aclass-d<br />

lecturer at annetlrnic" university for South African In<br />

~ofIlieyr's work on oral tradition without<br />

norl^ilalivc and allistorical South African English lit<br />

licid of African studies.<br />

'" Sol,t/lt?fujcall I;emi,2ismLy was enthusiastically<br />

s,+,,dirs 1997~23.4 (677-679) by Anthony O'Rrien<br />

York. Interestingly O'Brien is thc partner ofBowen.<br />

" I ; wilcn ~ rciationships ~ ~ of power within pedagogy are ackno~\iledgc(j literature rcma'<br />

facilitator rccipl.ocity: 'vrl~rouglr exposure to alternative views illld by tlcveloping the s<br />

sci,u,,.cd to &i:ni[ a vielvpoirlt allti Lo ~.ccognisc good reasons 10 cil:ingc one's mind \V<br />

,,ccessalT. stucients arc intiucted -as SLIII participaitts---iii(o t11~ ilrcna oi'col~~~~e~ing ideas a<br />

;,l,lc.;. ~(-T;,rLlsi I c)").:';?). -l.llc conticluit): ol'this hegcmociic. moi-alistic virlv ofiilcl-atl~l-e<br />

ti,i. l,ced lo luoi!ib 1lor-). Rynn.5 (1')98:22) claim tliat. \.viilrii~ literal-) studies. ti1cl.c is<br />

cl,llsi:nsLls. . i\ccp-sti.~lcturc ass~i~nptioii hinciit-tgall praclitio~lcl-s'.<br />

A vision of the university as the facilitator of mutual recognition between<br />

ose within and beyond the institution, a means or instrument to mediate the transition<br />

a new sense of citizenship, is shared by literary academics at the metropole and in

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