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Students were required to submit electronic posters for <strong>in</strong>clusion <strong>in</strong> the program based on the five major areas<br />

of content: (1) Education, (2) In<strong>format</strong>ion Technology, (3) Market Forces, (4) Publish<strong>in</strong>g and Copyright, and<br />

(5) Special Topic: The In<strong>format</strong>ics of the Human Genome Project. Each poster varies <strong>in</strong> <strong>format</strong> and delivery,<br />

but <strong>in</strong>cludes l<strong>in</strong>ks to a HyperNews thread for discussion and to the author's email account for one-on-one<br />

<strong>in</strong>teraction.<br />

Course Library<br />

The Course Library consists of a series of l<strong>in</strong>ks to relevant WWW resources. Divided by major content area<br />

and session, the course library <strong>in</strong>cludes areas for faculty and students to suggest important l<strong>in</strong>ks.<br />

The Technology<br />

Bell Atlantic Distance Learn<strong>in</strong>g Facility<br />

This facility provides a distance learn<strong>in</strong>g environment through the use of <strong>in</strong>teractive audio and video between a<br />

home site and one or more remote sites. The discourse is ma<strong>in</strong>ta<strong>in</strong>ed by a bi-directional signal shared by<br />

similarly configured distance learn<strong>in</strong>g facilities. Instructors and students <strong>in</strong> participat<strong>in</strong>g classrooms are able to<br />

<strong>in</strong>teract us<strong>in</strong>g a system of fixed and mov<strong>in</strong>g cameras, video monitors, omni-directional microphones, and highfidelity<br />

speakers. This classroom acted as the <strong>in</strong>itiat<strong>in</strong>g po<strong>in</strong>t for the <strong>in</strong>struction.<br />

RealAudio<br />

The composite audio received from the Distance Learn<strong>in</strong>g Facility's Audio Patch Panel was fed directly <strong>in</strong>to<br />

the l<strong>in</strong>e-level <strong>in</strong> of the SoundBlaster card <strong>in</strong>stalled <strong>in</strong> a Pentium 120 runn<strong>in</strong>g W<strong>in</strong>dows 95. Here, the audio was<br />

digitized and encoded us<strong>in</strong>g the RealAudio Encoder Version 2.0. The encoded audio was then transported to<br />

the RealAudio Live Transfer Agent, which prepared the audio for distribution <strong>in</strong> real time, and the RealAudio<br />

Server, which provided the audio stream to students participat<strong>in</strong>g <strong>in</strong> the course onl<strong>in</strong>e. Both the Live Transfer<br />

Agent and the Server were mounted on a Sparc 20.<br />

Slides<br />

RealAudio provides the ability to synchronize audio with HTML documents us<strong>in</strong>g a "Synchronized<br />

Multimedia" technology. However, s<strong>in</strong>ce the URL's must be timed and their duration predeterm<strong>in</strong>ed, this<br />

method is not sufficient for any real time dissem<strong>in</strong>ation. As noted by Progressive Networks, it is not possible to<br />

use "Synchronized Multimedia" with a live feed. S<strong>in</strong>ce the specification for primary <strong>in</strong>structional delivery<br />

<strong>in</strong>cluded html accompany<strong>in</strong>g the audio, we needed to pursue alternative methods for deliver<strong>in</strong>g the slides to<br />

students. In the end, we decided to send the URLs to the participants by us<strong>in</strong>g server push technology.<br />

The 18 presenters over the course of the four day session represented all levels of technical expertise. Early on,<br />

we determ<strong>in</strong>ed the need for an <strong>in</strong>tuitive <strong>in</strong>terface that provided both l<strong>in</strong>ear and hyper navigation tools for the<br />

slides. The presenter's <strong>in</strong>terface was a Netscape 2.0 browser with two frames. The top frame, or navigation<br />

frame, was a simple <strong>in</strong>terface allow the presenter to move forward, backward, reload, and jump to a specific<br />

slide number us<strong>in</strong>g labeled buttons. Written <strong>in</strong> javascript, these simple tools provided even the most novice<br />

presenter with a comfortable <strong>in</strong>terface.<br />

As the presenter moved through the slide show, the program captured, copied, and parsed the URLs, provid<strong>in</strong>g<br />

one copy appropriate for the presenter and another appropriate for the participants. The lower frame of the<br />

presenters <strong>in</strong>terface displayed this parsed slide. This <strong>in</strong>terface provided two additional boons: (1) all l<strong>in</strong>ks<br />

displayed <strong>in</strong> the lower frame rema<strong>in</strong>ed active, and (2) if the presenter choose to use these l<strong>in</strong>ks to connect to<br />

external sites, those URLs would also be pushed to onl<strong>in</strong>e students. The reload button <strong>in</strong> the navigation frame<br />

returned the presenter and students to the slide from which they departed. Students attend<strong>in</strong>g the onl<strong>in</strong>e course<br />

saw the HTML content presented <strong>in</strong> a s<strong>in</strong>gle frame synchronized with the RealAudio feed.<br />

WWW Forms<br />

S<strong>in</strong>ce the audio and slides were s<strong>in</strong>gle direction, we needed to develop and implement additional tools to<br />

provide mechanisms for <strong>in</strong>teraction. The f<strong>in</strong>al two slides from each session <strong>in</strong>cluded two WWW forms. The

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