5.1 DigiRack Plug-Ins Guide - Digidesign Support Archives

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44 Dynamics II Four different AudioSuite dynamics plug-ins are provided with Pro Tools: • Compressor II • Limiter II • Gate II • Expander/Gate II • De-esser The features of these plug-ins are identical to their real-time counterparts. The only difference is that the AudioSuite versions operate in nonreal time. For information on the individual parameters of these plug-ins, see “Dynamics II” on page 27. Compressor II AudioSuite plug-in DigiRack Plug-Ins Guide Limiter II AudioSuite plug-in Gate II AudioSuite plug-in
Expander/Gate II AudioSuite plug-in De-esser plug-in Invert The Invert plug-in reverses the polarity of the selected audio. All positive sample amplitude values are made negative, and all negative amplitudes are made positive. This process is useful for permanently altering the phase (polarity) relationship of tracks. The Invert plug-in is particularly useful during mixing because it allows you to modify frequency response between source tracks recorded with multiple microphones. It also allows you to correct for audio recorded out of phase with an incorrectly wired cable. Invert plug-in Duplicate The Duplicate plug-in duplicates the selected audio in place. Depending on how its parameters are configured, the new region will appear in either the Regions List or playlist. This allows you to “flatten” or consolidate an entire track consisting of multiple regions into one continuous audio file that resides in the same place as the original individual regions. Duplicate plug-in The audio is unaffected by Pro Tools volume or pan automation, or by any real-time plug-ins that may be in use on the track as inserts. The original audio file regions are merely rewritten in place to a single duplicate file. Chapter 5: DigiRack Non-Real-Time AudioSuite Plug-Ins 45
Page 1 and 2: Pro Tools DigiRack Plug-Ins Guide V
Page 3 and 4: contents Chapter 1. Getting Started
Page 5 and 6: chapter 1 Getting Started with Plug
Page 7 and 8: chapter 2 Working with Real-Time Pl
Page 9 and 10: 3 From the CPU Usage Limit pop-up,
Page 11 and 12: Inserting Plug-Ins on Tracks To use
Page 13 and 14: Enable Automation Parameters Allows
Page 15 and 16: To edit parameters with a keyboard:
Page 17 and 18: Command-Control-Option-click (Macin
Page 19 and 20: Choosing a Destination for Settings
Page 21 and 22: chapter 3 Working with AudioSuite P
Page 23 and 24: Use In Playlist On, Reference = Reg
Page 25 and 26: Process Clicking this button begins
Page 27 and 28: TC/E Selects the Time Compression &
Page 29 and 30: chapter 4 DigiRack Real-Time TDM an
Page 31 and 32: Dynamics II There are five types of
Page 33 and 34: Limiter II Limiter II plug-in The L
Page 35 and 36: Attack Sets the attack time of the
Page 37 and 38: De-esser De-esser plug-in The De-es
Page 39 and 40: • The Long Delay provides 162474
Page 41 and 42: Feedback (FB) Controls the amount o
Page 43 and 44: Noise Shape This button engages or
Page 45 and 46: To view time delay values and use T
Page 47: chapter 5 DigiRack Non-Real-Time Au
Page 51 and 52: Peak On Each Track Searches for the
Page 53 and 54: Time Compression/ Expansion The Tim
Page 55 and 56: Pitch Shift Parameters In addition
Page 57 and 58: chapter 6 DirectConnect DirectConne
Page 59 and 60: Digidesign StreamManager This file
Page 61 and 62: appendix a DSP Requirements for TDM
Page 63 and 64: Table 2. Maximum instances of real-
Page 65 and 66: appendix b DSP Delays Incurred by T
Page 67 and 68: index A Accuracy parameter 50, 51 a
Page 69 and 70: keyboard shortcuts 10 Knee paramete

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