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5.1 DigiRack Plug-Ins Guide - Digidesign Support Archives

5.1 DigiRack Plug-Ins Guide - Digidesign Support Archives

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38<br />

The most common application of dithering is to<br />

use it on a master output mix as the last processor<br />

in the signal path when preparing a 24-bit<br />

session for CD mastering. In this case, you<br />

would place the Dither plug-in on a Master<br />

Fader as a post-fader <strong>Ins</strong>ert to reduce session bitdepth<br />

from 24-bits to 16-bits.<br />

The Dither plug-in has user-selectable bit resolution<br />

and a noise shaping on/off option.<br />

If you are outputting audio to an analog<br />

destination with a 24-bit-capable Pro Tools<br />

system and an 888/24 I/O, do not use<br />

dither. This allows maximum output fidelity<br />

from the 888/24 I/O’s high-performance<br />

24-bit digital-to-analog convertors.<br />

Noise Shaping<br />

The Dither plug-in features a technique known<br />

as noise shaping to further improve audio performance<br />

and reduce perceived noise in lowlevel<br />

signals. Noise shaping utilizes digital filtering<br />

to remove noise that falls in the middle of<br />

the audio spectrum (specifically, around 4 kHz).<br />

This is the range where human hearing is most<br />

sensitive.<br />

In reality, since the noise plays an important<br />

role in reducing quantization errors (and<br />

thereby audio artifacts) the noise is not reduced<br />

in total, but is shifted into a range where it is<br />

harder to hear. Essentially, noise shaping lessens<br />

our perception of the noise inherent in dithering<br />

schemes by shifting audible noise components<br />

into a less audible range.<br />

<strong>DigiRack</strong> <strong>Plug</strong>-<strong>Ins</strong> <strong>Guide</strong><br />

Dither and Output Bit Resolution<br />

Dither has two user-selectable parameters that<br />

allow you to optimize its operation:<br />

Bit Resolution<br />

This pop-up menu allows you to choose one of<br />

three possible resolutions for the Dither processing.<br />

As a general rule, you should set this parameter<br />

to the maximum bit resolution of your destination.<br />

16-bit Recommended for output to digital devices<br />

such as DAT recorders and CD recorders,<br />

since they have a maximum resolution of 16bits.<br />

18-bit Recommended for output to analog devices<br />

if you are using an 888 I/O or 882 I/O Audio<br />

Interface since this is the maximum resolution<br />

available from the 18-bit digital-to-analog<br />

convertors of these devices.<br />

20-bit Recommended for output to digital devices<br />

that support a full 20-bit recording data<br />

path, such the Sony PCM-9000 optical mastering<br />

recorder, or the Alesis ADAT XT 20. This setting<br />

is also recommended for output to analog<br />

devices if you are using an 882/20 I/O Audio Interface.<br />

The 20-bit setting can also be used with<br />

digital effects devices that support 20-bit input<br />

and output, since it provides for a lower noise<br />

floor and greater dynamic range when mixing<br />

20-bit signals directly into the TDM environment.<br />

If you want, you can choose not to use the<br />

Dither plug-in and instead utilize the full 24-bit<br />

resolution of Pro Tools’ digital output, depending<br />

on your destination device. As noted previously,<br />

if you have a 24-bit-capable Pro Tools system<br />

with an 888/24 I/O Audio Interface and are<br />

outputting audio to an analog destination, we<br />

recommend that you do not use dither.

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