28.06.2013 Views

5.1 DigiRack Plug-Ins Guide - Digidesign Support Archives

5.1 DigiRack Plug-Ins Guide - Digidesign Support Archives

5.1 DigiRack Plug-Ins Guide - Digidesign Support Archives

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

30<br />

Release Controls how long it takes for the Limiter<br />

to be fully deactivated after the input signal<br />

drops below the threshold level. In general, if<br />

you use heavy limiting, you should use proportionally<br />

longer release times in order to avoid<br />

pumping which may occur when the Limiter is<br />

forced to jump back and forth between limited<br />

and unlimited signal levels. Lengthening the release<br />

time will help smooth these changes in<br />

level by introducing a lag in the ramp-up/down<br />

time of attenuation. Use shorter release times on<br />

material with fewer peaks which do not occur in<br />

close proximity to each other.<br />

Graph Displays the response curve set by the<br />

Limiter’s Threshold setting. As you adjust these<br />

parameters, refer to the graph to see how the<br />

shape of this curve changes. This will allow you<br />

to see the effect of your settings.<br />

External Key Enables and disables side chain<br />

processing. Side chain processing allows the<br />

Limiter to listen to the varying amplitude of a<br />

separate reference track and use it to trigger limiting.<br />

See “Using a Key Input for Side Chain Processing”<br />

on page 34.<br />

Key Listen When enabled, this allows you to listen<br />

to the reference track controlling the side<br />

chain input. This is often useful for fine tuning<br />

the Limiter’s settings to the key input. Key Listen<br />

auditions the right audio channel on TDM<br />

and RTAS versions of the Limiter.<br />

<strong>DigiRack</strong> <strong>Plug</strong>-<strong>Ins</strong> <strong>Guide</strong><br />

Gate II<br />

Gate II plug-in<br />

The Gate (also known as a noise gate) allows a<br />

signal above the selected threshold to be passed<br />

through to the output at unity gain, without dynamic<br />

processing. Once the input signal falls below<br />

the threshold level, the gating shuts down<br />

the signal by fully or partially attenuating the<br />

output. In this way, the desired signal is allowed<br />

to pass, but unwanted signal is not. The Gate is<br />

useful for noise removal on individual tracks,<br />

and can be used for special effects such as cutting<br />

off a reverb tail.<br />

Gate Parameters<br />

Phase Invert Inverts the phase (polarity) of the<br />

input signal, allowing you to change frequency<br />

response characteristics between multi-miked<br />

sources or to correct for miswired microphone<br />

cables.<br />

Gating Indicates the amount of reduction in dB.<br />

Threshold Sets the threshold level. Signals that<br />

exceed this level will pass through. Signals that<br />

are below it will be gated, depending on the settings<br />

of the Attack, Hold, Decay, and Range parameters<br />

(explained below).

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!