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Forlong - Rivers of Life

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Sun Worship.<br />

The catacombs <strong>of</strong> Rome have revealed something to us, but men’s eyes are not yet<br />

open enough to comprehend solar symboliam when they see it. It extended far down<br />

into our era, among the most advanced Chriatians, and much more so among<br />

the masses. Dean Stanley says, that c<strong>of</strong>fins which lay undisturbed in the cata-<br />

combs from the second and third to the sixteenth century, now reveal that the<br />

Christians were a joyous people. “They had no death’s-heads, or crucifixes, or cypresses,”<br />

but roses, winged fairies, and children, with “heathen subjects, such as Orpheus,<br />

Pysche, Bacchus,” &c. . . . “There was one figure,” he says, “found in almost every<br />

chamber, and the same figure was found everywhere for the first two or three centuries<br />

—that <strong>of</strong> a shepherd in the bloom <strong>of</strong> youth, with a crook or shepherd’s pipe in his<br />

hand, shouldering a lamb, which he carefully caressed and guarded with his other<br />

hand; and this was the representation <strong>of</strong> the ‘Good Shepherd’ mentioned in the<br />

New Testament. This figure was the sign <strong>of</strong> Christian life, the one predominant sign<br />

<strong>of</strong> Christian belief, and it was contained in all the catacombs; and wherever they went<br />

it was the chief mark <strong>of</strong> the Christian’s hope and faith, and was the fonn <strong>of</strong> religion<br />

that was most dear to the hearts <strong>of</strong> the early Christians. This representation was<br />

truly the prayer-book, articles, creed, and canons all in one. Afterwards came<br />

representations <strong>of</strong> the crucified Saviour, and infant in the mother’s arms” 1 a solar ideograph<br />

similar to that which heads this chapter. No testimony could be more perfect than<br />

those untouched sculpturings, and we thus see how Apollo and his solar prestige clung<br />

to the new Christ-idea, in the rising centre <strong>of</strong> the new faith. No doubt the old<br />

myths here gave strength and vitality to the new, by flinging around them the<br />

ever living though very old garments <strong>of</strong> the ancient Sun <strong>of</strong> Righteousness. 2<br />

In these last days we have had a valuable voice from the land <strong>of</strong> Moab—that<br />

cradle and abiding-place still <strong>of</strong> Solo-phallic faiths—in the shape <strong>of</strong> the Moabite stone,<br />

<strong>of</strong> which I will say a few words, since it enlightens us on many parts <strong>of</strong> Jewish story,<br />

and points to the faith <strong>of</strong> all these coasts and deserts. The following is the translation as<br />

given by Bishop Colenso, 3 agreeing substantially with what we find in Mr Isidore Heath’s<br />

Phenician Inscriptions. Mesho King <strong>of</strong> Moab here mentioned is held to have been<br />

be whom the Jewish writer says rebelled against Israel after the death <strong>of</strong> Ahab<br />

about 900 B.C., so that the stone was probably engraved in the third generation after<br />

Solomon, or about 890.<br />

TRANSLATION.<br />

‘I, Mesha, am son <strong>of</strong> Kemosh-Gad, King or Moab, the Dibonite. My father reigned over Moab thirty<br />

years, and I have reigned after my father, and I erect this stone to Kemosh at Korcha, a stone <strong>of</strong> Salvation,<br />

for he saved me from all despoilers, and made me see my desire upon all my enemies, even Omri,<br />

King <strong>of</strong> Israel. Now they afflicted Moab many days, for Kemosh was angry with his land. His son<br />

succeeded him, and he also said I will afflict Moab. In my says he said ‘Let us go and I will see my<br />

desire on him and his house, and Israel. I shall destroy it with everlasting destruction.’<br />

1 Reported Speech <strong>of</strong> 31st July 1874. For Apollo as the Shepherd, see p. 479, ante.<br />

2 Malachi iv. 2.<br />

3 Pent. and Moabite Stone, Lec. xxv. The italics are the missing parts.<br />

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