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Forlong - Rivers of Life

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<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

violence which would have shamed and horrified Him whose name his followers have<br />

perhaps adopted; whilst in their precepts, dogmas, and rituals, they differ as much from<br />

the spiritual worship which that Leader taught and practiced, as frozen seas from<br />

torrid zones, as the delicate tracery <strong>of</strong> a Phidias from the formless stones bedaubed<br />

with red which all the ancient tribes around me worship; and which is yet but<br />

a feature <strong>of</strong> that same Faith which the artistic Greek threw into the stones <strong>of</strong> Athens,<br />

and which is also precisely that Faith which, as Ruskin puts it, reared “the stones <strong>of</strong><br />

Venice,”—which shines out no less in the obelisks <strong>of</strong> Egypt than in the columns, poles,<br />

and hangings, which beautify the Piazza-di-san-Marco, and which we can everywhere<br />

still trace throughout the world. It is then for the student <strong>of</strong> these things, who is<br />

aided by the vast light which literature and philosophy are everywhere casting on his<br />

path, to as keenly collect, as to severely sift, the ends and beginnings <strong>of</strong> the flossy mass,<br />

divided and sub-divided as he will find these lines <strong>of</strong> thought to be, whether by the<br />

subtle brains <strong>of</strong> ancient philosophies, devotees, and fanatics, or by the old poets and<br />

painters <strong>of</strong> nature and art, who always follow these, and who work up the stiff, cold,<br />

coarse outlines into glowing tints and lovely images.<br />

As an instance <strong>of</strong> how closely we must watch for the traces <strong>of</strong> man’s Faiths in<br />

his doings and sayings, I may note, that Mr. Fergusson, the great writer on architecture,<br />

and the author and compiler <strong>of</strong> that beautiful volume on “Tree and Serpent<br />

Worship,” says that, keen observer though he was <strong>of</strong> ancient architecture, he had<br />

seen many <strong>of</strong> the beautiful temples and sculpturings he depicts, for a dozen <strong>of</strong> years<br />

past (I quote from memory), and never observed the serpent or a trace <strong>of</strong> serpentworship,<br />

although now that his attention has been called to it he finds it everywhere,<br />

twining in and out, and over-shadowing with up-reared hood, the oldest ideas <strong>of</strong> man<br />

on stone and rock.<br />

The more we study Faiths the more shall we perceive the very close union <strong>of</strong><br />

their essences and origins. Thus a great tree first springs up and stands apart,<br />

beautiful and noble by itself. The beasts <strong>of</strong> Earth and birds <strong>of</strong> Heaven come to it for<br />

nourishment and shelter, but they bring with them the corruptions <strong>of</strong> many nations,<br />

and the lovely branches <strong>of</strong> the tree get coated and encrusted with many parasites, some<br />

good and lovely as itself, but many also poisoning and corrupting. The substance <strong>of</strong><br />

the great Tree is eaten into, and its mighty branches are disfigured and weighed down,<br />

—all this it can bear; but at last a delicate, tiny, gentle creeper calls to it from the<br />

ground for support, and taking it up fondly, the tree nestles it in its mighty arms and<br />

feeds it with its own life, soon, alas, to find that it is to be repaid by the grasp <strong>of</strong> death<br />

in the mighty and overtightening embrace <strong>of</strong> the many-folded destroyer. So sinks the<br />

great Parent Faith into the Earth from which it sprang, and in its place rises the<br />

tangled and mazy mass which we find all old Faiths to be.<br />

Originally, then, all faiths are but the idea <strong>of</strong> a great man, or men great in faith<br />

if not in intellect, and not at all necessarily so in culture; men to whom ideas are

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