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304 Rivers of Life, or Faiths of Man in all Lands. a harp, and harps and music were the female principles on which the Gods acted. In this Memnon touched by the solar rays we recognise the so-called “Pointer” or Sun Gnomon-Stone, which is in the centre of the so-called “avenue” in the Stonehenge Druid circle, and over whose summit alone (see p. 281) the ray can reach the moat sacred part. The same idea of the Sun-darter and fertilizer seems to be faithfully portrayed in the picture of the “Rosary of the blessed Virgin,” which was printed at Venice in 1542, says Dr Inman, 1 to whom I am indebted for this rare engraving. The ray in both cases is fertilizing the sacred shrine. Memnon is frequently shown as Horus being nursed by the Virgin who is then called Aurora; and his picture is then precisely the same as we usually see in the case of paintings or sculptures called “Madonna and Child” or Deva-ki (Mother-God) and Krishna. But to return to the prolific Ps. Pola was a celebrated altar, in the Istrian town of Pola, 2 no doubt, like Jacob’s Beth-el of Genesis xxxv.; “it represented Rome.” Potela was the Hymen God of Sklavonians; Polybia was a name for Ceres of “Abundance,” and it was Pan “the hunter” (Nimrob) who discovered her cave and so made the earth fertile. Pan or P’An, seems to be the mouthpiece or “fire of An.” The Pan or Phan or the Orphics was “the Sovereign Fig. 142.—THE CONCEPTION, OR APOLLO FERTILISING TERRA. Deity and Lord of Elements” (Hol., 320), which his name Pi-an would entitle him to be called. Phanes in the Orphic hymns is Protogonus, who is Nature or protogšnia, the first born, D…kh or Justice, and also pepromšnh or Fate, whose origin is given as follows. From Good or Unity sprang a DUAD, Ether and Chaos, of which Ether represents Bounds, and Chaos Infinity; and these uniting produced Intellectuality, which sprang as it were from an Egg generated by NIGHT, NOX, or Darkness, and this was the “MIGHTY FIRST- BEGOTTEN ONE” of the ineffable Father, Goodness and Love. Phanes is the first “Sceptre-Bearer” among the great gods. Orpheus calls him the “bull-roarer glorying in golden wings” 3 and therefore he is Mithras; but Mithras has been also Ceres, who is at times the moon, the queen of generation. Porphyry (262) says: “Mithras as well as the Bull is the Demiurgus of the Universe, the Lord of Generation.” Proklus makes out that Phanes is to the world of intelligence what Thetis is to the sensible world. Thetis is the mother of Venus, and Protogonus, the father of night, who is Venus in Orpheus. Phanes is clearly a form of solar worship which was in high favour at Kio (Chio), the capital of (Chios) Kios, which lies under the highest mountain of this considerable island. Phanes was a great king of this island in its mythic days, and a promontory—a sure Phallic sign—is called 1 Anc. Faiths. I. 99-100. 2 Class. Man, p. 371. 3 Hymn to Proto., 3. He is also Bel, see p. 298 ante.
Serpent and Phallic Worship. Phaneus. In Kaldi, Fan-leak is a kromlek, or stone of adoration—the Phani lephanim or sanctum sanctorum. The pillar-worshipper, Jacob, called the place where he saw and “wrestled with God face to face” and hurt his “thigh,” Penuel or Phanu-el, laynp. The word Panah hnp is in Fürst to shine, to lighten, to be prominent afar off, from a root to glow; “hence the projecting pinnacle or turret of a house,” and a corner- stone or pillar; so that we here trace, by a very uncommon method, the idea of the Lingam being, even in most ancient Kaldia, the sun-stone and “enlightener,” the Boodha, Boda, or Goad. Hence the place of enlightenment—that is, of oracles in ancient times, and churches in ours—are Fanes, Latin Fanum. Ireland has still a Fan-Lobuis, or St. Lobus’ Church, near Cork. Phanes and Priapus are identical, according to the Orphic extracts which Cory gives us in his Ancient Fragments. He is “a dazzling fountain of splendour,” of whom, like the Jewish Jhavh or Elohim, it was said, long before Jews wrote to this effect that “none had seen this Protogonus save the sacred night” or womb. But we must pass on and say a few words more as to his spouse “Ceres, the seed-bearer,” a name given by Orphics also to the first father Metis. Ceres, when discovered by Pan, was sitting upon a rock under a mount of olives, and respeetably garmented as is not her wont; but it was winter when she always conceals her charms. I give this drawing of her emerging from the cave with a dove—IOne—in one hand, and the Dolphin (Salacia) in the other; while her equine head denotes her relation to Hippos, one of the Sun’s titles. I am obliged to Mr. Marcus Keane for the engraving which he takes from Bryant who calls the Sun Hippos, and Hippos-On, and tells us of many towns and places so named after him (II. 293~295). The Pi-galians put a statue of Demeter with a horse’s head on a niche in this Arkadian cave and there worshipped her; so that we had there the same faith as now exists in India in the wor- ship of Mamojee, see pages 31, 72, Figures 1, and 22. The Egyptians called Ceres Pharia—that is, Pi-Ar-ia, or the sun-goddess Pi—under which form I show her in page 268, form Montfauçon. She was imaged under this title all over Egypt and Asia Minor, but commonly as a mere formless block of wood or stone (C. Man. on Iliad II., p. 113), a very common and well-considered Indian idea to the present moment, but one for which the people are very much laughed at and abused by ignorant foreigners, who do not comprehend the significance embodied in the idea of “formless matter”—that on which the creator had first to act. Ceres was the Magna Dea, the Al-ma, Ar-ma, or A-ma which corresponds to “universal mother” in Sanskrit. She was “the mother of all life;” and personified nourishment, love, and all the beautiful traits and virtues which these speak to us concerning. The ancient Kabiri called her Kabira or “mother of all;” and serpents and male symbols were sacred to her, and these are seen yoked to her car—the ark-boat of life. If as the Sun, she was caIled 305 Fig. 143.—CERES ISSUES FROM CAVE.
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Serpent and Phallic Worship.<br />
Phaneus. In Kaldi, Fan-leak is a kromlek, or stone <strong>of</strong> adoration—the Phani lephanim<br />
or sanctum sanctorum. The pillar-worshipper, Jacob, called the place where he saw<br />
and “wrestled with God face to face” and hurt his “thigh,” Penuel or Phanu-el, laynp.<br />
The word Panah hnp is in Fürst to shine, to lighten, to be prominent afar <strong>of</strong>f, from a<br />
root to glow; “hence the projecting pinnacle or turret <strong>of</strong> a house,” and a corner-<br />
stone or pillar; so that we here trace, by a very uncommon method, the idea <strong>of</strong> the<br />
Lingam being, even in most ancient Kaldia, the sun-stone and “enlightener,” the<br />
Boodha, Boda, or Goad. Hence the place <strong>of</strong> enlightenment—that is, <strong>of</strong> oracles<br />
in ancient times, and churches in ours—are Fanes, Latin Fanum. Ireland has still a<br />
Fan-Lobuis, or St. Lobus’ Church, near Cork. Phanes and Priapus are identical,<br />
according to the Orphic extracts which Cory gives us in his Ancient Fragments. He<br />
is “a dazzling fountain <strong>of</strong> splendour,” <strong>of</strong> whom, like the Jewish Jhavh or Elohim, it was<br />
said, long before Jews wrote to this effect that “none had seen this Protogonus save the<br />
sacred night” or womb. But we must pass on and say a few words more as to his<br />
spouse “Ceres, the seed-bearer,” a name given by Orphics also to the first father Metis.<br />
Ceres, when discovered by Pan, was sitting upon a rock<br />
under a mount <strong>of</strong> olives, and respeetably garmented as is<br />
not her wont; but it was winter when she always conceals<br />
her charms. I give this drawing <strong>of</strong> her emerging from the<br />
cave with a dove—IOne—in one hand, and the Dolphin<br />
(Salacia) in the other; while her equine head denotes her<br />
relation to Hippos, one <strong>of</strong> the Sun’s titles. I am obliged to<br />
Mr. Marcus Keane for the engraving which he takes from<br />
Bryant who calls the Sun Hippos, and Hippos-On, and<br />
tells us <strong>of</strong> many towns and places so named after him<br />
(II. 293~295). The Pi-galians put a statue <strong>of</strong> Demeter<br />
with a horse’s head on a niche in this Arkadian cave and there worshipped<br />
her; so that we had there the same faith as now exists in India in the wor-<br />
ship <strong>of</strong> Mamojee, see pages 31, 72, Figures 1, and 22. The Egyptians called<br />
Ceres Pharia—that is, Pi-Ar-ia, or the sun-goddess Pi—under which form I show<br />
her in page 268, form Montfauçon. She was imaged under this title all over Egypt<br />
and Asia Minor, but commonly as a mere formless block <strong>of</strong> wood or stone (C. Man.<br />
on Iliad II., p. 113), a very common and well-considered Indian idea to the present<br />
moment, but one for which the people are very much laughed at and abused by<br />
ignorant foreigners, who do not comprehend the significance embodied in the idea <strong>of</strong><br />
“formless matter”—that on which the creator had first to act. Ceres was the Magna<br />
Dea, the Al-ma, Ar-ma, or A-ma which corresponds to “universal mother” in Sanskrit.<br />
She was “the mother <strong>of</strong> all life;” and personified nourishment, love, and all the beautiful<br />
traits and virtues which these speak to us concerning. The ancient Kabiri called<br />
her Kabira or “mother <strong>of</strong> all;” and serpents and male symbols were sacred to her, and<br />
these are seen yoked to her car—the ark-boat <strong>of</strong> life. If as the Sun, she was caIled<br />
305<br />
Fig. 143.—CERES ISSUES FROM CAVE.