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Forlong - Rivers of Life

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304<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

a harp, and harps and music were the female principles on which the Gods acted. In<br />

this Memnon touched by the solar rays we recognise the so-called “Pointer” or Sun<br />

Gnomon-Stone, which is in the centre <strong>of</strong> the so-called “avenue” in the Stonehenge Druid<br />

circle, and over whose summit alone (see p. 281) the ray can reach the moat sacred<br />

part. The same idea <strong>of</strong> the Sun-darter and fertilizer seems to be faithfully portrayed<br />

in the picture <strong>of</strong> the “Rosary <strong>of</strong> the blessed Virgin,” which was printed at Venice in<br />

1542, says Dr Inman, 1 to whom I am indebted for this rare engraving. The ray in both<br />

cases is fertilizing the sacred shrine. Memnon is frequently<br />

shown as Horus being nursed by the Virgin<br />

who is then called Aurora; and his picture is then<br />

precisely the same as we usually see in the case <strong>of</strong><br />

paintings or sculptures called “Madonna and Child” or<br />

Deva-ki (Mother-God) and Krishna. But to return to<br />

the prolific Ps.<br />

Pola was a celebrated altar, in the Istrian town <strong>of</strong><br />

Pola, 2 no doubt, like Jacob’s Beth-el <strong>of</strong> Genesis xxxv.;<br />

“it represented Rome.” Potela was the Hymen God <strong>of</strong><br />

Sklavonians; Polybia was a name for Ceres <strong>of</strong> “Abundance,”<br />

and it was Pan “the hunter” (Nimrob) who<br />

discovered her cave and so made the earth fertile. Pan<br />

or P’An, seems to be the mouthpiece or “fire <strong>of</strong> An.”<br />

The Pan or Phan or the Orphics was “the Sovereign<br />

Fig. 142.—THE CONCEPTION, OR APOLLO<br />

FERTILISING TERRA.<br />

Deity and Lord <strong>of</strong> Elements” (Hol., 320), which his<br />

name Pi-an would entitle him to be called. Phanes<br />

in the Orphic hymns is Protogonus, who is Nature or protogšnia, the first born, D…kh or<br />

Justice, and also pepromšnh or Fate, whose origin is given as follows. From Good or Unity<br />

sprang a DUAD, Ether and Chaos, <strong>of</strong> which Ether represents Bounds, and Chaos Infinity;<br />

and these uniting produced Intellectuality, which sprang as it were from an<br />

Egg generated by NIGHT, NOX, or Darkness, and this was the “MIGHTY FIRST-<br />

BEGOTTEN ONE” <strong>of</strong> the ineffable Father, Goodness and Love. Phanes is the first<br />

“Sceptre-Bearer” among the great gods. Orpheus calls him the “bull-roarer<br />

glorying in golden wings” 3 and therefore he is Mithras; but Mithras has been<br />

also Ceres, who is at times the moon, the queen <strong>of</strong> generation. Porphyry<br />

(262) says: “Mithras as well as the Bull is the Demiurgus <strong>of</strong> the Universe, the<br />

Lord <strong>of</strong> Generation.” Proklus makes out that Phanes is to the world <strong>of</strong> intelligence<br />

what Thetis is to the sensible world. Thetis is the mother <strong>of</strong> Venus, and Protogonus,<br />

the father <strong>of</strong> night, who is Venus in Orpheus. Phanes is clearly a form <strong>of</strong> solar<br />

worship which was in high favour at Kio (Chio), the capital <strong>of</strong> (Chios) Kios, which<br />

lies under the highest mountain <strong>of</strong> this considerable island. Phanes was a great<br />

king <strong>of</strong> this island in its mythic days, and a promontory—a sure Phallic sign—is called<br />

1 Anc. Faiths. I. 99-100.<br />

2 Class. Man, p. 371.<br />

3 Hymn to Proto., 3. He is also Bel, see p. 298 ante.

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