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Forlong - Rivers of Life

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300<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

was the grandson <strong>of</strong> Erek-theus, the golden serpent and god-man, the son <strong>of</strong> Vulkan. 1<br />

He was carried about in a chest representing Ceres. His name is very suggestive,<br />

signifying he who tortures, splits, grinds, or makes bread, if we may take the liberty<br />

<strong>of</strong> using the Greek K for c; wbich they were very free in doing, as well as in the case<br />

<strong>of</strong> p P, and f Ph,—causing the unlearned, especially in Europe, to stumble grievously.<br />

The, f I have elsewhere and pictorially shown, contains an evident double<br />

entendre. It was a common form <strong>of</strong> charm and amulet, and is so seen to hang from<br />

the neck <strong>of</strong> Apis; the bar or shaft when not vertical was a nail, spike, or thorn, and<br />

therefore the whole a. Linga-in-yoni; otherwise, the male triad, see my Plate XIII,<br />

where both amulets, as usually seen on the Apis, are given. The priest, or Ra-phan,<br />

Greek Ramphas, was called Pata, and so all priests are Patas, Paders, or Padres, words<br />

which go back to much beyond Latin days, to Pater as the father or Generator; Patria,<br />

the place <strong>of</strong> generation, or native country—a feminine form, as the former, usually before<br />

the days <strong>of</strong> statuary, figured as the penates or male form. Saturn was called by Romans<br />

their most ancient Pater, and his priests Patres; but thousands <strong>of</strong> yearn before Rome the<br />

ancient Amonian Petors used to dance round the Amonian Fire-Shrine, holding in their<br />

hands their holy Petaurum (Petor-Am, a kind <strong>of</strong> pole or phallic symbol), this in honour<br />

<strong>of</strong> the Sun, 2 which appears to have been the origin <strong>of</strong> “the Pyrrhic-dance,” wrongly<br />

fancied to have been named after Pyrrhus, the son <strong>of</strong> Achilles; for <strong>of</strong> course the word<br />

simply signifies a Fire-dance, or dance to or round a fire; which is still common in Asia;<br />

and elsewhere. Bryant says that this Egyptian dance was in honour <strong>of</strong> Hermes;” or<br />

Maha Deva, and “was called Betarmus, a compound <strong>of</strong> Bet-Armes, or Armon, more<br />

properly Hermes and Hermon; Bet among the Amonians denoting a temple,” as we<br />

know it was from the very earliest to the latest periods <strong>of</strong> Jewish story. Petra<br />

was in the most ancient times always a sacred object, but not necessarily a stone; it<br />

might be an omphe. “Thus Olympus near Pisa, though no rock but a huge mound<br />

or hill, was <strong>of</strong> old termed Petra, as relating to Oracular influence; hence Pindar. speaking<br />

<strong>of</strong> Iamus (from Ham, the Sun)—who was supposed to have been conducted by Apollo<br />

to Olympia—says that they both came to Petra Elibatos upon the l<strong>of</strong>ty Kronian mount,”<br />

which Elibatos, Bryant expalins, “signifies Eli-Bat or Solis domus vel templum, as well<br />

as the actual Deity there worshipped.” In this world we have the origin <strong>of</strong> our<br />

Elizabeth, for the house or temple <strong>of</strong> a god is always a woman or ark. The temple <strong>of</strong><br />

Elis had a Petra. Pindar says the Delphic Pytho was a petrašssa Petraessas, and in the<br />

adjoining capital, Orkomenians all worshipped a Petra which fell from heaven; 3 and<br />

so from Euripides we learn that the sacred cavern <strong>of</strong> the Akropolis <strong>of</strong> Athens “was<br />

called Petræ Makræ, Petræ Kekropiæ, which, by-the-bye, reminds us <strong>of</strong> that most<br />

ancient <strong>of</strong> sacred things with all peoples, “the Abyss,” or cave, revered alike in this<br />

Akropolis, as by Jews on Mount Moriah. All goddesses like Ceres sit or rest upon a<br />

1<br />

Clas. Man., p. 87.<br />

2<br />

Bryant I. 386. This Petaurum is <strong>of</strong>ten mentioned by Roman writers, and appears to have been<br />

latterly used as a leaping pole, a suggestive article, especially when we remember what the Keltic heav-<br />

3<br />

ings and leapings signified.<br />

Pausanias quoted by Bryant, I. 36.

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