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Forlong - Rivers of Life

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Serpent and Phallic Worship.<br />

Ama or “Uma the great mother <strong>of</strong> the universe” being incarnate in the Queens or<br />

Wives <strong>of</strong> all gods, whether Lakshmi, Sarasvati, Isis, Juno or Venus, and in our later<br />

Mary. He says:—<br />

“The mother <strong>of</strong> God <strong>of</strong> the Mariolaters is none other than she. The eight divine mothers <strong>of</strong> the<br />

Tantras are invariably represented each with a child in her lap, and are the exact counterparts <strong>of</strong> the<br />

‘Virgin and Child’ <strong>of</strong> European art.” . . . . . . “In Indian philosophical works, the concrete mother<br />

Uma passes into the abstract Máyá or delusion, i.e. the mystery by which the Great Spirit evolves the<br />

universe from within himself. The usual character assigned to that Spirit being a negation <strong>of</strong> all human<br />

faculties, wants, and feelings, the mediation <strong>of</strong> Maya became necessary to extricate the philosophers from<br />

the cocoon which they had woven around themselves. This Maya then is the power which disturbs the<br />

calm repose <strong>of</strong> the Godhead, and excites him into action, and is, therefore, his energy or power (Sakti),<br />

or his consort Prakriti, or plastic nature. The Vedanta approves the term Maya as it suits best its<br />

non-dualistic dogma. The materialistic Sankhya prefers Prakriti, or plastic nature, as most consonant<br />

with its mode <strong>of</strong> exposition <strong>of</strong> the mystery <strong>of</strong> creation; and Sakti finds the greatest prominence in the<br />

Tantras as in accord with a purely anthropomorphic theory. The Puranas adopted these terms at<br />

option according to their particular leaning, some giving prominence to Maya, some to Prakriti, and<br />

some to Sakti. They all, however, accept the three words and synonymous. Thus, Uma is the same<br />

with Maya, Sakti, and Prakriti <strong>of</strong> the Hindus, and with ‘IO, Isis, Astarte, Ishtar, Mylitta, Sara, Maia,<br />

Mary, Meriam, Juno, Venus, Diana, Artemis, Aphrodite, Hera, Rhea, Cybele, Ceres, Eve, Frea,<br />

Frigga, &c., <strong>of</strong> other nations, everywhere representing the female principle in creation. She is equal<br />

to the Godhead, because creation cannot be accomplished without her, and she is greater than God,<br />

because she sets him into action. ‘Sakti gives strength to Siva; without her he could not stir a straw.<br />

She is, therefore, the cause <strong>of</strong> Siva.’ Again, ‘<strong>of</strong> the two objects which are eternal the greater is Sakti.’<br />

Mysticism revelled in these ideas, and developed them into a variety <strong>of</strong> forms. By herself Uma is a<br />

maiden or mother; united with the Godhead, she produces the androgynous figure <strong>of</strong> Ardha-Narisvara,<br />

the left half <strong>of</strong> a female joined along the mesian line to the right half <strong>of</strong> a male figure. 1 Now, Rudra<br />

having been identified with the male principle, she necessarily becomes his wife, and as a symbol <strong>of</strong> the<br />

former is the Lingam, that <strong>of</strong> the latter is Yoni, which appears in art, as the crescent, the star, ‘the<br />

circle, the oval, the triangle, the door, the ark, the ship, the fish, the charm, the cave,’ various fruits,<br />

trees, and a host <strong>of</strong> other forms alike among the Hindus, the Egyptians, and the mystics <strong>of</strong> Europe.<br />

The union <strong>of</strong> these symbols with those <strong>of</strong> the male principle produces the innumerable cabalistic<br />

symbols, talismans, amulets, and mystical diagrams, which have deluded mankind for ages, and still<br />

occupy so prominent a place in the history <strong>of</strong> religion. The Lingam and Yoni united is the form<br />

in which Siva appears most frequently in India, and is best known in our temples. It should be<br />

noticed, however, that in the most ancient temples, the ‘upright’ or the emblem <strong>of</strong> the male principle<br />

is along met with. In the great temple <strong>of</strong> Benares, it occurs to the entire exclusion <strong>of</strong> the modern<br />

symbol <strong>of</strong> the Lingam and the Yoni united in one.”<br />

I will have occasion to speak <strong>of</strong> this separate devotion to emblems, when I<br />

sketch early Arabian faiths. The learned Baboo, one 0f the Council <strong>of</strong> our Asiatic<br />

Society in Bengal, here anticipates almost exactly what I see I wrote some half-dozen<br />

years ago, before I saw my way from want <strong>of</strong> time to publish; and so it is with very<br />

much more that will be found in these volumes. If men, however, get the truth<br />

put clearly before them, let us be content; for very much which I worte several years<br />

ago has, I see, been both written and published within the last year or two; and though<br />

we cease to be original, it is highly satisfactory to know, that we must be correct,<br />

when such various minds arrive at the same conclusions from entirely different sourccs,<br />

and <strong>of</strong>ten when living in opposite. hemispheres.<br />

1 I give this as Fig. 1 in my Plate XIV.<br />

277

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