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Forlong - Rivers of Life

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264<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

<strong>of</strong> Arjoona, the third Pandava prince, “whose martial bands, under the name <strong>of</strong><br />

Vaijayan (Aigaian) . . . . settled. on, and gave a name to the .Egean Sea; on whose<br />

north was the gulf <strong>of</strong> Therma (Dherma) . . . another name for Arjoona. . .. Delbhi<br />

or Arjoona was. the bosom friend <strong>of</strong> Krishna,” says Pococke (I. in G. 291); but I must<br />

pass on and speak somewhat in detail <strong>of</strong> the very important Naga-Poota, or Boodha, <strong>of</strong><br />

the Serpent race, which guarded the rocky cleft and dwelt in the fountain; and whose<br />

principal part was the golden-headed Tri-soola or Fleur-de-Iis, found whose shaft<br />

wound three serpents.<br />

A triple serpent column, say all writers, was set up in the Kas-talian or holy<br />

spring, and a seat was there for the Pontifex Maxima; for a woman had to sit here,<br />

else the god spoke not. Now because some coins, sacrificial tripods, and many writings<br />

speak <strong>of</strong> these, and <strong>of</strong> “the Tripod <strong>of</strong> Delphi,” on or from which the priestess gave the<br />

responses <strong>of</strong> the Deity; it has, been concluded by European writers that these were one<br />

and the same, and hence they show, as Mr. Jas. Yates does in his artic1e on Tripos in<br />

Smith’s Greek and Roman Antiquities, an. elaborate tripod with a basin, having<br />

circular supports over it to carry a seat, on which it was supposed the priestess sat.<br />

This may very probably have been part <strong>of</strong> the furniture <strong>of</strong> the Delphic temple, as<br />

temples require and usually contain many similar rude tables for the flowers and gifts<br />

<strong>of</strong> visitors, but a three-legged table is not my idea at all <strong>of</strong> the Pythic Tripod. All<br />

who know Indian Sivaik shrines will remember the common little rude tables which<br />

stand about in them; and no doubt these became in Delphi’s later days more elaborate<br />

and carried a sacrificial bowl or cup like our Church fonts; but these three-legged<br />

articles have no connection in my mind with the tripod <strong>of</strong> the god. He himself is a<br />

tripod, but he is also that on which we have seen the bird sitting; and his emblematic<br />

tripod is known as his Tri-Soola, a most potent and important article.<br />

It is the trefoil-lingam with which he strikes the yielding “earth-co,” and<br />

which brings water from the rock; it may or may not have serpents twisted on or<br />

about it, like Mercury’s Kaduceus, or the rod <strong>of</strong> Eskulapius. The whole tri-lingam in<br />

the Hippodrome <strong>of</strong> Constantinople is formed <strong>of</strong> serpents; and the column is, as I here<br />

show in Fig. 126, situated in a pit. I give in Fig 127 an actual landscape <strong>of</strong> the Hippodrome<br />

as drawn by myself many years ago when at Constantinople; but here in Fig. 126,<br />

I wish to present my readers with the three religious ideas <strong>of</strong> the spot. Thus on the left<br />

we see the symbol <strong>of</strong> a pure phallic faith—that which preceded the Serpent; while on<br />

its right we see neither Serpent nor Phallic ideas forgotten in the Temple <strong>of</strong> this later<br />

“People <strong>of</strong> the Book;” for in the ever-recurring domes, or globular forms <strong>of</strong> mosks, we<br />

have the Omphe and Solar ideas; and in the minarets which correspond to the Jewish,<br />

Boodhist, and Christian candles, we have the still repeated idea <strong>of</strong> the Obelisk; in<br />

all, we have Ophis or Python, and Apollo, the Sun, Serpent, and Sun-stone, whether<br />

called Mahā-Deva, or Pārvati, <strong>of</strong> which Omphe more hereafter. The Tripods <strong>of</strong> Apollo<br />

and Bacchus, and that consecrated to the muses, were certainly not “tables” if I

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