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Serpent and Phallic Worship.<br />

admissible, and thus we are assured that we are not mistaken as to the symbolism<br />

which the milder forms portrayed. Plutarch writes that Osiris had a crosier<br />

with an eye above; and Hurd tells us that the hooked stick or form was a great<br />

fetish with Africans, and hung oyer their doors, and we know already what sort <strong>of</strong><br />

feminine objects were there; no doubt this hook<br />

was their sexual complement. Most Japanese<br />

Gods have a regular “Shepherd’s crook” in their<br />

hands, and, <strong>of</strong> course, wherever the God is represented<br />

as a “Shepherd <strong>of</strong> his sheep,” he will be<br />

usually given the shepherd’s staff—that wherewith<br />

he catches up into his arms the young and feeble,<br />

and guides the leaders; and as all faiths ever and<br />

again blend with one another, so we may expect<br />

to see the serpent forming the curve and the<br />

Phallus, or a phallic emblem, the staff, just as may<br />

be observed in this celebrated Crosier <strong>of</strong> Cashel,<br />

which I here give, Fig. 122. It was found in a<br />

Sarcophagus called the “Font <strong>of</strong> the Cashel<br />

Temple”—a c<strong>of</strong>fin showing elaborate serpent<br />

sculpturings, and believed to be “the c<strong>of</strong>fin <strong>of</strong><br />

the great Cormak.” The Serpent is here<br />

springing out <strong>of</strong> a sheath which we can confidently<br />

call the vagina, as we see a fish on it<br />

looking downwards as we now hold the staff,<br />

with open mouth and yoni spots. The entrance<br />

<strong>of</strong> the Sheath, Cave or Cavern, is also formed<br />

like a Polyps or Anemone, which is a wellknown<br />

favourite with the votaries <strong>of</strong> IOnism,<br />

and not seldom alluded to in the poetry <strong>of</strong><br />

Sivaism. Note also that the end <strong>of</strong> the Sheath is<br />

adorned, like most arghas, with a wreathing<br />

Serpent denoting Passion; whilst humanity<br />

Fig 122.—THE CROZIER OF CASHEL. SERPENT<br />

EMERGES FROM FISHY SHEATH.<br />

stands upon its coiled head, and on that <strong>of</strong> a biting dragon who clings to, or seizes the<br />

Staff <strong>of</strong> the hero.<br />

The old Crosses <strong>of</strong> Ireland are also usually living with Serpents. Mr. Marcus<br />

Keane says that “no figure is more conspicuous on Irish sculpture, or more frequently<br />

met with than the Serpent” 1 yet no living Serpents are to be found<br />

in Ireland! though “there is scarcely a cross or handsome piece <strong>of</strong> Irish<br />

ornamental work which has not got its serpent or dragon.” From him<br />

1 Towers and Temples <strong>of</strong> Anc. Ireland. Dublin, Hodgson, p. 156-8.<br />

253

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