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Forlong - Rivers of Life

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Serpent and Phallic Worship.<br />

<strong>of</strong> a phallic cross, and pointing with a “phallic hand” see Plate IV., Fig. 2, and<br />

elsewhere.<br />

The Dolphin as a most peculiarly sacred fish, was called Philanthropist by<br />

the Ancients, and said to delight in music. It saved the great bard Arion when he<br />

threw himself into the Mediterranean on his way to Corinth, which event is said to have<br />

happened in the seventh century B.C., or about the time the story <strong>of</strong> Jonah arose. The<br />

Greeks placed the Dolphins in their zodiac. Burckhardt saya in his travels in Nubia<br />

(p. 470) that no one is permitted to throw a lance at, or injure a dolphin in the Red Sea;<br />

and the same rule is enforced among most <strong>of</strong> the Greek islands. As we closely study<br />

the illustrations <strong>of</strong> sacred fish, and the language used in regard to them and their ways,<br />

we gradually begin to see the coarseness <strong>of</strong> the symbolism, and why all this extraordinary<br />

pisci-cult. This mermaid, Fig. 115, from Galway in Ireland, for which I am indebted<br />

to Mr. Marcus Keane, exhibits what<br />

one would fancy the water here might have<br />

been allowed to cover; but, instead <strong>of</strong> this,<br />

great and even unnatural prominence is given<br />

to the organ within the water; which assures<br />

us that it, and not her liber or book, is what<br />

Fig 114.—VISHNOO IN<br />

THE FISH-AVATAR<br />

pisci-cult mostly relates to; and this is confirmed<br />

as we study Kaldian and Asyrian<br />

pisci-olatry, where we find the woman merges into a kind <strong>of</strong> seal, and<br />

is held up to us belly foremost, like this Irish mermaid. I give this<br />

in the figure on page 244, where it will be observed that we have a woman’s head but<br />

arms à la torso, as in the case <strong>of</strong> our Greek and Serapium Tau, page 225, Fig. 97.<br />

The Indian idea does not seem to have embraced this feature <strong>of</strong> the sexual parts, at<br />

least so far as I have yet been able to observe, but to be merely connected with the<br />

known great fertility <strong>of</strong> the fish, and its dwelling in<br />

water—the source <strong>of</strong> all fertility. India, however, early<br />

notices its vaginal form, and shows us therefore man<br />

and animals issuing from its mouth. This is well exemplified<br />

in my large figure <strong>of</strong> Vishnoo’s Măch, or<br />

fish-Avatár, and in this modified small Fig. 114 <strong>of</strong> the<br />

same, which Mr. Marcus Keane gives me. The evident<br />

idea here is, that all creation issues from a fishy sheath, to<br />

the astonishment and adoration <strong>of</strong> the somewhat waterylooking<br />

world; and as it issues, becomes gradually armed,<br />

with “the weapons necessary towards the continuance <strong>of</strong> all animal life.”<br />

Mr. Keane further gives us this very remarkable sculpture, Fig. 116, from the cross<br />

<strong>of</strong> Kells, County Meath, which is clearly the worship <strong>of</strong> the fish and phallus<br />

combined; or <strong>of</strong> a fish, as a phallus, a not uncommon idea. Taken in connection with the<br />

Iberian mermaid, Fig. 115, there is no mistaking what this upright fish was intended for.<br />

247<br />

Fig 115.—MERMAID, CLONFERRY<br />

Fig 116.—PISCO-PHALLIC WORSHIP,<br />

COUNTY MEATH, IRELAND.

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