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Forlong - Rivers of Life

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Serpent and Phallic Worship.<br />

Terra; for classic story says that the `Roi¦, Rhoia, or pomegranate was the express<br />

emblem <strong>of</strong> the Earth under her different appellations <strong>of</strong> Demeter, Kubele, Ceres,<br />

Rhea, &c.” (Clas. Manual 203, Iliad ix. 585,); but Rhea is Ops, and “Ops, Opis,<br />

Opus and Opici were all terms related to,” if not actually meaning the sacred serpent<br />

(Bryant v. 308). The Agathodemon which Egypt shows us as crowned with a Lotus,<br />

just as Siva stands at Som-nát, crowned with Luna the crescent moon. Now this<br />

Agatho-demon was, says the same learned investigator, “called Noe;” but Deukalion,<br />

that is Deva Kali, “was called Opus, by which is meant Deucalion Serpens,” 1 so that<br />

here we see the whole signification is either mother Eve as the Yoni, the Serpent, or<br />

we see an androgyne god, embracing Kala and Kali, or Noe and Terra; but this subject<br />

has unduly enticed us away from Solomon’s shrine.<br />

The Phallic columns were, it is written, pr<strong>of</strong>usely bedecked with “pomegranates<br />

and lilies” or lotuses, and other emblems, and hung about with wreaths <strong>of</strong> chains<br />

which always denote serpents. Thus we are not surprised to learn that these columns<br />

were called, that on the right JAKIN or “he that shall establish,” and that on the left<br />

BOAZ, or “in it is strength.” Such poles and hangings with similar ornation abound<br />

beside most Eastern shrines, and the Venetian merchants, following their Asiatic culture,<br />

placed somewhat similar columns on and around their beautiful St. Mark.<br />

A glance through the illustrations <strong>of</strong> even these volumes will, I think, convince<br />

my readers that the architects <strong>of</strong> Solomon, and the artisans <strong>of</strong> Tyre only did but<br />

follow, although no doubt at a great distance, the cult and architecture <strong>of</strong> the richer<br />

and superior shrines <strong>of</strong> the nations about them. We must however bear in mind here<br />

that we have not a single historical record, on papyrus, leather, or tablet, <strong>of</strong> either<br />

Solomon or his temple; none <strong>of</strong> the great travellers <strong>of</strong> antiquity say a syllable regarding,<br />

either, and Herodotus who specially travelled over all these countries on purpose<br />

to study the cult <strong>of</strong> the peoples, never gives us a hint even as to the existence <strong>of</strong> Jews,<br />

their religion or temples. From Lucian and others we know that Syrian temples, and<br />

notably, that to the great Dea Syria, had two huge Phallic columm in the vestibule, so<br />

that Jakin and Boaz in Solomon’s shrine were<br />

strictly in keeping. The constant recurrence <strong>of</strong><br />

two stones, whenever stones are required, marks a<br />

strange but consistent idiosyncrasy <strong>of</strong> all Phallicworshipping<br />

races.<br />

Beside these pillars in Solomon’s portico,<br />

there were also placed here the sun god Belus,<br />

and his chariots, and with him, at the entrance,<br />

the symbolic “Great Sea,” that holy symbol<br />

<strong>of</strong> Samoodra, which all nations worship from the shores <strong>of</strong> Japan and Bombay<br />

to the banks <strong>of</strong> the Neva; and those on Samoodra’s shores, in propriâ personâ.<br />

1 Homer, (Liddell and Scott) uses Drakon and Ophis indifferently; see further, Inman’s Symbolism, xxxviii.<br />

215<br />

Fig 91—SOLOMON’S MOLTEN SEA—MAYA OR<br />

FERTILITY

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