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Forlong - Rivers of Life

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202<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

and the <strong>of</strong>fending Bethshemites (I Sam. vi.) but been undoubtedly visited with death,<br />

as in the case <strong>of</strong> Uzzah (2 Sam. vi.)<br />

We have the same Arkite ideas in the cradles <strong>of</strong> all gods. Moses, in his basket<br />

floating on the waters (Salacia) is such an idea, and so<br />

is this lovely Aphroditc in her shell, with Love or<br />

Cupid—the only privileged individual—peering into<br />

it. This is the ancient and original, though disowned,<br />

Maria de Navicella, in the holy naus, and a very feminine<br />

and salacious idea it is which has been repeated<br />

again and again in all the religions <strong>of</strong> man. In Christianity<br />

we generally have it as a male idea, as in Fig. 82,<br />

Fig 81—APHRODITE.<br />

where Horus lies in a cradle (emblem <strong>of</strong> the Yoni) and<br />

is called the “Hostie Sainte,” or Jesus the Sun <strong>of</strong> Right-<br />

eousness. Notice that he springs from the Cross or Tree <strong>of</strong> <strong>Life</strong>, and holds, to his breast,<br />

another cross on a solar disc, as does Minerva the Gorgon figure <strong>of</strong> the Child or Passion,<br />

which denotes eternity or continuity, and as the Chinese<br />

Queen <strong>of</strong> Heaven holds the Lingam (see fig. 38, p. 116),<br />

which is too gross, however, for Europe, though the<br />

meaning is the same in both cases, and equally clear to<br />

the initiated. If the Chinese Maya or Mary, rests<br />

upon a veritable tempestuous sea <strong>of</strong> passion, so does<br />

Horus’ Cross, and Minerva’s Gorgon—fit name for our<br />

<strong>of</strong>t-disordered minds and breasts, the seat <strong>of</strong> those<br />

natural emotions, which the mind or soul has such<br />

trouble in controlling. The Virgin mother seems here<br />

at no pains to restrain hers; for see, she presents to the<br />

rising Horus or Phallic Cross-in-Yoni, just as we daily<br />

see Indian maids and mothers do, her whole heart—Ain<br />

or Ait, that burning seat <strong>of</strong> heat and love in the estima-<br />

Fig 82—CHRIST IN CRADLE.<br />

tion <strong>of</strong> all faiths and peoples; and mark that she has<br />

carefully entwined around it the thorny irritator, ac-<br />

knowledging in it a symbol <strong>of</strong> divinity, and rejoicing in the bleeding heart as<br />

symbol <strong>of</strong> her love-God, who pierces and thrills her with varied emotions: in all<br />

nations, but especially in Southern Europe and India, have women treasured such<br />

symbols and devices as thorns, hearts, fascinæ, &c. In India, the Ankoos, or goad and<br />

guider <strong>of</strong> the elephant, is one <strong>of</strong> many favourites: it is a spear-headed shaft, with a<br />

crook or crozier springing from the base <strong>of</strong> the spear. Gen. Cunningham, in his<br />

Archeological Survey Report <strong>of</strong> India for 1873-74, tells us that “the Ankoos is the<br />

favourite ornament” 1 on the elaborate sculptures <strong>of</strong> even the Boodhist ladies, at the<br />

1 See Proc. As. Soc. Beng. May 1874. Bharahut is nine miles S.E. <strong>of</strong> Satna Railway Station.

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