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Forlong - Rivers of Life

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186<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

<strong>of</strong> Good Friday, that . . . the buns known by that identical name were used in the<br />

worship <strong>of</strong> the Queen <strong>of</strong> Heaven, the Goddesa Easter (Ishtar or Astarti) as early as the<br />

days <strong>of</strong> Kekrops, the founder <strong>of</strong> Athens, 1600 years B.C. . . . . . the dyed eggs <strong>of</strong><br />

Pasch or Easter Sunday figured also in the Kaldean rites just as they do now.”<br />

CaptainWilford in “Asiatic Researches,” VIII. p. 365, says that when the people<br />

<strong>of</strong> Syracuse were sacrificing to goddesses, they <strong>of</strong>fered cakes called Mulloi, shaped like<br />

the female organ; and Dulare tells us that the male organ was similarly symbolised in<br />

pyramidal cakes at Easter by tha pious Christiam <strong>of</strong> Saintonge, near Rochelle, and<br />

handed about from house to houae; that even in his day the festival <strong>of</strong> Palm Sunday<br />

was called Le Fête des Pinnes, sbowing tbat this fête was held to be on account <strong>of</strong><br />

both organs, although, <strong>of</strong> course, principally because the day was sacred to the Palm,<br />

the ancient tree-Phallus. The proession was one <strong>of</strong> women and children carrying<br />

Pinnes at the end <strong>of</strong> thin palm-branches (highly Bacchic), which, it appears, were<br />

then taken home and carefully presuved all the year. This is exactly as still<br />

practised in India with household Lingams, and reminds us <strong>of</strong> the Sacred Fire, and<br />

Lares, and Penates, which were all renewed or reinstated annually. Clermont in<br />

Auvergne preferred the female organ, but in Lower Limousin and Brives the cakes<br />

were Phalli. We may believe that the Jewish cakes and show-bread were also<br />

emblematic, somewhat as I show in the table <strong>of</strong> “show-bread,” Fig.76, p. 194. The<br />

Omphic Navel, Neb, or Nabis bn idea figures conspicuously in Vishnoo’s grandest<br />

Avatar. From it all creation issues as he rests with his consort on the serpent Sesha—<br />

the Ark <strong>of</strong> <strong>Life</strong> on the “sea <strong>of</strong> milk;”—Vishnoo is here<br />

as in most instances, the Sun; and the Nabi is here the<br />

Umbilicus or Olympus <strong>of</strong> the gods, from which the<br />

whole world proceeds. It is different from Siva’s Argha,<br />

which, when shown separate from him, is, as in these<br />

two figures, a sort <strong>of</strong> Patera, corresponding to the<br />

Hebrew cups: and bowls—mistranslated “spoons” in<br />

Exodus xxv. 29. 1 The real word is tpk Kapoth, meaning<br />

cups for holding the oils and unguents sprinkled<br />

Fig. 71.—THE BOAT-ARGHA OR YONI.<br />

over all Lingam-gods, and which we can still see in<br />

Indian Sivaik Temples. Of course, all such vessels, like<br />

everything else here, from the foundation-stone and<br />

Lingam—buried under ground, to the Tri-sool on the high summit <strong>of</strong> a Sivaik temple,<br />

and again on the high side-pole where there is also a fire-cup and serpent-streamer,<br />

are all, and every, made strictly symbolic. Every line and figure is so, as well as<br />

the colour and even the quality <strong>of</strong> the material if practicable.<br />

We must here return a little to the Syrian, Arkite, and other Phallic worship, and<br />

to Jews, as those regarding whom we probably have most detaila. I think it is established<br />

that the Ark was at first merely a simple box, made up in a hurried manner at<br />

1 [i.e. in the King James vn. NIV has “plates and dishes.” — T.S.]

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