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Forlong - Rivers of Life

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154<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

pillars <strong>of</strong> Syria, see fig. 16 <strong>of</strong> Dr Inman’s plate V., vol. ii, and this other which<br />

he gives us at page 491 <strong>of</strong> the aame volume, exemplifying the Phallic pillar,<br />

on an altar, or a mount <strong>of</strong> sacrifice, but which may mean<br />

something more; I give many figures <strong>of</strong> the Phallic Thyrsus<br />

and Serpents. The two supports <strong>of</strong> the man Moses on<br />

this occasion are suggestive. Hur, rwh, says Inman, is the<br />

moon as a male god, and was a deity in Babylon and<br />

Fig. 57.<br />

MOSES, EXODUS xvii. 9-11.<br />

Phenicia (i. 96, 596); whilst Aaron, }wrha, or Ahur rha,<br />

is held to be the air, later Aer, and Greek Ouranos, pro-<br />

bably light or brightness and heat, with the root rwa, or aur, or Ur. Hebraists tell<br />

us that wra is “one <strong>of</strong> power” or strength, who extends, is firm like a tree or mast,<br />

etc. (see Inman, i. 277). Aer was one <strong>of</strong> the second Asyrian triad, in conjunction<br />

with the sun and moon (p. 176), and the sky, or air, whether Jupiter tonans or pluvius,<br />

is the connection between god and his children—between the sun and his earthly<br />

ark; and this link between Jhavh and his people Israel, was here the high priest<br />

A-aron. If the A at the commencement is held to be prosthetic, and the two last<br />

letters merely formative, as we have many instances <strong>of</strong> (I-esh-wāra and Par-vati are<br />

in point), then we have Hur, as an Omphi or mouthpiece <strong>of</strong> the deity, precisely similar<br />

to Hermes, who had a blossoming club, which gave life and dealt forth death; who<br />

originated worship and sacrifices, and taught eloquence—all points, in which Aaron<br />

excelled, see Ex. IV. 14-16 and onwards, and Dr. Inman, under Art. Aaron. It is<br />

mere trifling with Israel’s God to tell us, that we over-reach ourselves in likening a<br />

man on a hill top with a rod, and two men supporting him, to a Phallic triad, for<br />

these here are clearly no mere men, and this no mere rod. The figure, and then the<br />

group, swayed warring thousands and determined victory, which neither skill nor<br />

numbers had any effect over; so it is our duty to try and see what God is here,<br />

and how he manifests himself. Immediately after the victory, the god is brought<br />

down from the hill, and we may conclude that “his rod” Nissi, or a pole emblematical<br />

<strong>of</strong> “the rod <strong>of</strong> Elohim,” which had given the tribes the victory, was erected on<br />

this altar, which thus takes the place <strong>of</strong> the erect man Moses seen on the right hand<br />

<strong>of</strong> the figure. This Nissi, which I take to be merely an enlarged edition <strong>of</strong> the Rod,<br />

as the outer columns <strong>of</strong> temples or the obelisks <strong>of</strong> Egypt were <strong>of</strong> the rods <strong>of</strong> the<br />

priests <strong>of</strong> Egypt, was then their god <strong>of</strong> victory, and the Jews say they had only one<br />

god, which none dare make light <strong>of</strong>, nor would wish to do so, for he gave victory on the<br />

very easiest <strong>of</strong> terms; he had but to be erected, to discomfort Israel’s foes “from generation<br />

to generation;” his rod budded as did that <strong>of</strong> Bacchus, see Figs 5 and 9, Pl. V.,<br />

turned into a serpent, cleft asunder rocks and seas, and was therefore in all<br />

respects a veritable Soter kosmou, so that no wonder the tribes kept the God’s symbol<br />

carefully shut up in their “holy <strong>of</strong> holies.”<br />

These two figures seem to embrace the same, or a very close similarity <strong>of</strong>

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