Forlong - Rivers of Life
Forlong - Rivers of Life Forlong - Rivers of Life
130 Rivers of Life, or Faiths of Man in all Lands. music of the gods; it can frighten away all evil demons and sceptics, and therefore was an article very early and very persistently used as well for sacerdotal garments as church ornation; and from it combined with other causes, did all bell-like plants or flowers, and fruits, as pomegranates &c., become the favourites of ecclesiastics. The Concha or Shank is still the Hindoo Church bell, though gongs and trumpets are likewise used; it is however, still the principal bell with the strictly orthodox, and at some very solemn rites is as indispensable as the Christian Church bell, of which it is the prototype. What good Christian’s marriage or death would be complete without the church bell? The Shank is more especially blown when the Sivaik priest goes through his genuflexions before the Lingam and anoints it, whicb corresponds to the act of the Catholic priest elevating the symbolic wafer—“the victim”—emblem of the “God of Bethlehem.” Then, too, in addition to the blasts of the Shank, which uniquely correspond. to the Jewish trumpetings, the inner small bell of the Sivaik temple boldly clangs, as does the altar bell of the Roman Catholic meekly tinkle; only the ideas in these rites have changed, not so the customs and forms, for with the ignorant masses these are not so easily moved. The emblem in the left hand is also the common mark, or Nishān. which we almost always see on the foreheads of every goddeas of the Hindoo Pantheon, as a glance at Moore’s plates shews; it is, in fact, the orifice of the shell. The Concha is not the same shape in all countries, and is represented in Southern Europe by the Buccina, called in Greece the Bukani, which was there also blown at great fêtes. The Greek word is kÒggh Kongke. I give in figure 47, a Greek drawing of the ordinary Indian shaped Bukana, where we see the unmistakable phallic figure of a Deity blowing through the shell, which English schoolboys are ignorantly taught to call “a Triton sound- ing his buccina.” Smith’s Dictionary of Antiquities unwittingly but appropriately shews the Bukani under the head of Navis, for it is Maya’s boat, and the Concha her emblem; yet a male in connection with it is far too prononcé an Fig. 47.—THE PHALLIC GOD AND SHANK ornament even for our school-books, and the editor has given this figure as the outer gold stamp of his most valuable and popular “Dictionary of Antiquities”! The shell is also seen among my other figures, and always in Indian pictures beside the other sexual energies. The Triton, or man in this position, is a sort of pictorial pun for the phallus; and he carries with him his rudder, or consort, for the rudder as well as the stern of every vessel usually denotes woman as the great carrier, and hence ships as carriero have the feminine affix. Unintentionally the learned gentleman who writes the article “Navis” in Smith’s Dict. of Antiquities, gives us two very rudder like and feminine cuts below the phallic Buccina. Of the one he says the rudder, “helm or tiller is crossed by a cornucopia;” and in regard to the other, that “Venus leans with her left arm on the rudder to indicate her origin from the sea.” This is not of course correct; according to oriental phallic lore
Serpent and Phallic Worship. the winged arrow is the male, and carries a flear de lis head with, I suspect, the heel wings of that “old thief” Mercury, so that the piercing of the rudder is highly emblematic. I give the two gems seen in the Dictionary article for facility of references, also a rudder and shield, regarding which I must say a few words more. In the celebrated Irish Tāra brooch, which Mr. Waring gives us in plate 92 of his handsome volume, 1 the serpent is the cross-pin of the feminine emblem, as the arrow here is of the rudder, yet we should have fancied that the Irish broochmaker would, for the circular parts of his work, have preferred the serpent from its curling coil- ing propensities, and had the javelin or spear —equally symbolical—for the pin of the jewel; Fig. 48.—RUDDER, SHIELD, &c. yet it is not so, shewing us that for this crown jewel, the Irish people preferred Python male to Python female. We see what importance the sensual monarch of the Jews attached to shields by his making no less than three hundred, and of pure gold, and hanging them up in his amatory palace of Lebanon (1 Kings x. 17); of which the value, we are gravely asked to believe, was something like a quarter million sterling. David captured similar “shields of gold” on the servants of a king of Arabia- Deserta (2 Sam. viii.), and also dedicated them, like Great Cesar, to his gods. Such shields we find were either sacred to the sun, as Turner and others tell well us the shield of Palls was, or to the Genetrix, and may be classed with the Roman ancilia, keys, rudders, and such sexual simulacra. The serpent was the steersman who guided the arks or boats of this faith, see Fig. 73, page 191, and Pallas-Athena, Ceres, and other Saktis often had such emblems as these. Feathers or wings attached to gods or god~ desses, I have elsewhere shewn, had always some sexual signification, and this feathering of the rudder; so precisely like that attached to the Phallic cap of the gods, is suspicious. Ceres had usually a cross at the head of her shaft, which completes the symbolism; the shields had serpents and such like, with a centre boss. Jehovah, who was once a female. god, called himself the shield of Abram on the occasion of his asking for offspring (Gen. xv. 1). The Romans preserved with great reIigious care and reverence twelve. ancilia in the temple of Mars on the hill of Pallas, for which there were regular priests, called the Salii Palatini. In connection with them also were sacred cups—Patera, Patella or Patina, which in Sivaik temples are called Arghas; these appear also in Grecian rites, and in the sacramental chalice of Christi- anity. The arghas are occasionally used for incense, and the distinction between them and the cups and the censer of the Christian churches is very fine. All have been in use from unknown times, for as Dryden says,— “The Salii sing and cense their altars round With Sabine smoke.” 1 Monuments and Ornaments, &c., by J. B. Waring. J. Day & Co., London, 1878. 131
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130<br />
<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />
music <strong>of</strong> the gods; it can frighten away all evil demons and sceptics, and therefore was<br />
an article very early and very persistently used as well for sacerdotal garments as church<br />
ornation; and from it combined with other causes, did all bell-like plants or flowers, and<br />
fruits, as pomegranates &c., become the favourites <strong>of</strong> ecclesiastics.<br />
The Concha or Shank is still the Hindoo Church bell, though gongs and trumpets<br />
are likewise used; it is however, still the principal bell with the strictly orthodox, and<br />
at some very solemn rites is as indispensable as the Christian Church bell, <strong>of</strong> which it<br />
is the prototype. What good Christian’s marriage or death would be complete without<br />
the church bell? The Shank is more especially blown when the Sivaik priest goes<br />
through his genuflexions before the Lingam and anoints it, whicb corresponds to the<br />
act <strong>of</strong> the Catholic priest elevating the symbolic wafer—“the victim”—emblem <strong>of</strong><br />
the “God <strong>of</strong> Bethlehem.” Then, too, in addition to the blasts <strong>of</strong> the Shank, which<br />
uniquely correspond. to the Jewish trumpetings, the inner small bell <strong>of</strong> the Sivaik<br />
temple boldly clangs, as does the altar bell <strong>of</strong> the Roman Catholic meekly tinkle; only<br />
the ideas in these rites have changed, not so the customs and forms, for with the<br />
ignorant masses these are not so easily moved. The emblem in the left hand is also<br />
the common mark, or Nishān. which we almost always see on the foreheads <strong>of</strong> every<br />
goddeas <strong>of</strong> the Hindoo Pantheon, as a glance at Moore’s plates shews; it is, in fact,<br />
the orifice <strong>of</strong> the shell.<br />
The Concha is not the same shape in all countries, and is represented in Southern<br />
Europe by the Buccina, called in Greece the Bukani, which was there also blown at great<br />
fêtes. The Greek word is kÒggh Kongke. I give in figure 47, a Greek drawing <strong>of</strong> the ordinary<br />
Indian shaped Bukana, where we see the unmistakable phallic<br />
figure <strong>of</strong> a Deity blowing through the shell, which English<br />
schoolboys are ignorantly taught to call “a Triton sound-<br />
ing his buccina.” Smith’s Dictionary <strong>of</strong> Antiquities unwittingly<br />
but appropriately shews the Bukani under the head<br />
<strong>of</strong> Navis, for it is Maya’s boat, and the Concha her emblem;<br />
yet a male in connection with it is far too prononcé an<br />
Fig. 47.—THE PHALLIC GOD AND<br />
SHANK<br />
ornament even for our school-books, and the editor<br />
has given this figure as the outer gold stamp <strong>of</strong> his<br />
most valuable and popular “Dictionary <strong>of</strong> Antiquities”! The shell is also seen among<br />
my other figures, and always in Indian pictures beside the other sexual energies. The<br />
Triton, or man in this position, is a sort <strong>of</strong> pictorial pun for the phallus; and he carries<br />
with him his rudder, or consort, for the rudder as well as the stern <strong>of</strong> every vessel usually<br />
denotes woman as the great carrier, and hence ships as carriero have the feminine affix.<br />
Unintentionally the learned gentleman who writes the article “Navis” in Smith’s Dict.<br />
<strong>of</strong> Antiquities, gives us two very rudder like and feminine cuts below the phallic Buccina.<br />
Of the one he says the rudder, “helm or tiller is crossed by a cornucopia;” and in regard<br />
to the other, that “Venus leans with her left arm on the rudder to indicate her origin<br />
from the sea.” This is not <strong>of</strong> course correct; according to oriental phallic lore