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Forlong - Rivers of Life

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Serpent and Phallic Worship.<br />

Arks and Jewish “Groves,” whilst by the large-headed snakes on each side <strong>of</strong> the god,<br />

I suspect we are to underntand a double entendre, always so common in Hindooism.<br />

As Passion, Heat, Fire, Air, and Water are held to irritate into action the energies <strong>of</strong><br />

animal and vegetable life, so the serpent was anciently made to figure universally as<br />

this irritator or irritant; and, says Kercher, to represent in Egypt these, Element<br />

themselves. Thus the Earth or Soil because animated by the igneous power <strong>of</strong> Oph<br />

was shown by a two-horned snake lying prostrate; Water is shown as an undulat-<br />

ing snake; Air, an erect hissing snake; Zeuta or Toth, being Fire, was shown by the<br />

Asp standing on his tail with a globe on his head, as we see in many Egyptian figures,<br />

<strong>of</strong> which more hereafter. Toth was also Passion, as “Aurei Simplicis Ignis”—the reptile<br />

bisecting the circle, as in Theta, and this was the bisector’s sign, (Toth’s), the symbol<br />

<strong>of</strong> life and death, which Eusebius called the “character Mundi;” it was “the vis ignea<br />

emblem and allotted particularly to Cneph, the Agatho-demon, and Egyptian Demiurge.”<br />

(Deane. p. 129).<br />

Thus we must remember always that we see in Pytho the “Heated Air” (Holy<br />

Spirit) though <strong>of</strong>ten also the unholy, and so we find him far more diligently worshipped<br />

and loved by women than men, and feted geneally on separate days, so that the<br />

sexes may think the faith out by themselves. At the Benares Serpent Festival, the<br />

first day is thronged by women, and the second<br />

by men; and on a floor adjoining the god’s well,<br />

is Maha Deva’s symbol in stone, with a Serpent<br />

as Passion crawling over it. The idea and<br />

form are common, and such as we meet with<br />

daily in and about most villages: This Fig. 42, is<br />

a Maha Deva which I sketched one morning in a<br />

perfectly new Sivaik temple adjoining a large<br />

missionary establishment which had been teaching<br />

and preaching on the spot for one or more<br />

generations. Here we see the Snake as supporter<br />

<strong>of</strong> the world—Creator and Creatrix, but<br />

especially <strong>of</strong> the Argha or Yoni, within which<br />

play several other Serpents as wreathing tongues<br />

<strong>of</strong> fire. All this may seem coarse to us in these<br />

days <strong>of</strong> education and refinement, but ancient<br />

peoples knew not <strong>of</strong> any such fancies—what was<br />

natural was considered presentable—nor were the<br />

Fig. 42.—A LINGA-IN-YONI.<br />

promptings <strong>of</strong> nature to be always hidden. In this mankind were also too like monkeys,<br />

and even inferior to some animals, inasmuch as the wisest amongst them <strong>of</strong>ten hide sexual<br />

matters from the broad light <strong>of</strong> day, and from the gaze <strong>of</strong> their fellows: Many exhibit<br />

shame and modesty when discvoered, yet I am sorry to say there are races in the East, if<br />

123

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