Forlong - Rivers of Life
Forlong - Rivers of Life Forlong - Rivers of Life
122 Rivers of Life, or Faiths of Man in all Lands. absence. Generally, however, the features or ideas of the cult are fully and generally depicted, and without as well as within; for the vessels of the inner sanctuary—the lights, the lavers, the spoons, &c. &c., must all be constructed with a view to the symbolism, as well as the gilt spires, poles; and trappings of the outer tabernacle. In many temples the actual public emblem of the Deity is only an emblem of an emblem; the real “God” being secreted deep away down in the foundations of the vast structure, in a crypt or cave (see p. 39, Fig. 4) where only the most devoted of initiated worshippers may occasionally see him. His presence there is to signify that he is the centre strong foundations of the world, and its navel also, as was Delphi. All faiths have more or less acted thus: Priests in constructing their shrines, whether temple, cathedral, or mosk, have aimed also at elaborating the ideas of their god or gods, and their sacred books and lore; thus most Christians insist on a church which is cruciform. in plan, a spire ., “reaching into the heavens,” a navis or Ark, and a risen or dying Saviour in the eastem window; so the Moslem must have his vast dome or globe borrowed from the older solar fable, and with Luna's crescent over all, and Minarets or Phallic-looking candlesticks, such as the Christian puts on his altar: Of course, both deny the symbolism which we impute to them. I give here a simple little Maha Deva which embraces in itself many of these features I am endeavouring to describe. It is a. drawing of a copperplate which l discovered very many years ago deep under grounds when engaged in an engineering operation in southern India: The natives were so enthusiastic about it, saying that it was so ineffably holy by reason of its long interment in mother earth, and assembled in such numbers from all the neighbouring country, that I was compelled, in face of the multitudes, and in case of an assault upon my small camp of workmen, to give it up; and I heard a few years afterwards, that a fine temple had been built for this object and others which we had disinterred. The Brahmans informed me that the object I here illustrate, was a very peculiar Lingam, “in whole as well as in part,” and in much else besides, and that there should have been an Argha as I here show by dotted lines; but although we searched diligently for this, we never Fig. 41.—SIVA AS GOD OF FIRE—AGNI. discovered it. We found, however, many other images which had led the priests to consider, that it had been in a temple dedicated to Siva, under the form of the god Agni who is here entering “the door of Life” holding two writhing Cobras, whose heads like Agni’s, are emitting sparks of fire; so that here we have an Apollo with his bow and arrows passing the portal of creation, an exactly similar idea to that which the artistic Greek gives us in my illustration, Fig. 44, p. 127. The porch itself irradiates Fire as we see in the Asyrian
Serpent and Phallic Worship. Arks and Jewish “Groves,” whilst by the large-headed snakes on each side of the god, I suspect we are to underntand a double entendre, always so common in Hindooism. As Passion, Heat, Fire, Air, and Water are held to irritate into action the energies of animal and vegetable life, so the serpent was anciently made to figure universally as this irritator or irritant; and, says Kercher, to represent in Egypt these, Element themselves. Thus the Earth or Soil because animated by the igneous power of Oph was shown by a two-horned snake lying prostrate; Water is shown as an undulat- ing snake; Air, an erect hissing snake; Zeuta or Toth, being Fire, was shown by the Asp standing on his tail with a globe on his head, as we see in many Egyptian figures, of which more hereafter. Toth was also Passion, as “Aurei Simplicis Ignis”—the reptile bisecting the circle, as in Theta, and this was the bisector’s sign, (Toth’s), the symbol of life and death, which Eusebius called the “character Mundi;” it was “the vis ignea emblem and allotted particularly to Cneph, the Agatho-demon, and Egyptian Demiurge.” (Deane. p. 129). Thus we must remember always that we see in Pytho the “Heated Air” (Holy Spirit) though often also the unholy, and so we find him far more diligently worshipped and loved by women than men, and feted geneally on separate days, so that the sexes may think the faith out by themselves. At the Benares Serpent Festival, the first day is thronged by women, and the second by men; and on a floor adjoining the god’s well, is Maha Deva’s symbol in stone, with a Serpent as Passion crawling over it. The idea and form are common, and such as we meet with daily in and about most villages: This Fig. 42, is a Maha Deva which I sketched one morning in a perfectly new Sivaik temple adjoining a large missionary establishment which had been teaching and preaching on the spot for one or more generations. Here we see the Snake as supporter of the world—Creator and Creatrix, but especially of the Argha or Yoni, within which play several other Serpents as wreathing tongues of fire. All this may seem coarse to us in these days of education and refinement, but ancient peoples knew not of any such fancies—what was natural was considered presentable—nor were the Fig. 42.—A LINGA-IN-YONI. promptings of nature to be always hidden. In this mankind were also too like monkeys, and even inferior to some animals, inasmuch as the wisest amongst them often hide sexual matters from the broad light of day, and from the gaze of their fellows: Many exhibit shame and modesty when discvoered, yet I am sorry to say there are races in the East, if 123
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122<br />
<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />
absence. Generally, however, the features or ideas <strong>of</strong> the cult are fully and generally<br />
depicted, and without as well as within; for the vessels <strong>of</strong> the inner sanctuary—the<br />
lights, the lavers, the spoons, &c. &c., must all be constructed with a view to the symbolism,<br />
as well as the gilt spires, poles; and trappings <strong>of</strong> the outer tabernacle. In many<br />
temples the actual public emblem <strong>of</strong> the Deity is only an emblem <strong>of</strong> an emblem; the<br />
real “God” being secreted deep away down in the foundations <strong>of</strong> the vast structure, in a<br />
crypt or cave (see p. 39, Fig. 4) where only the most devoted <strong>of</strong> initiated worshippers may<br />
occasionally see him. His presence there is to signify that he is the centre strong foundations<br />
<strong>of</strong> the world, and its navel also, as was Delphi. All faiths have more or less<br />
acted thus: Priests in constructing their shrines, whether temple, cathedral, or mosk,<br />
have aimed also at elaborating the ideas <strong>of</strong> their god or gods, and their sacred books<br />
and lore; thus most Christians insist on a church which is cruciform. in plan, a spire .,<br />
“reaching into the heavens,” a navis or Ark, and a risen or dying Saviour in the<br />
eastem window; so the Moslem must have his vast dome or globe borrowed from the<br />
older solar fable, and with Luna's crescent over all, and Minarets or Phallic-looking<br />
candlesticks, such as the Christian puts on his altar: Of course, both deny the symbolism<br />
which we impute to them.<br />
I give here a simple little Maha Deva which embraces in itself many <strong>of</strong> these<br />
features I am endeavouring to describe. It is a. drawing <strong>of</strong> a copperplate which l<br />
discovered very many years ago deep under grounds when engaged in an engineering<br />
operation in southern India: The natives were so enthusiastic about it, saying that<br />
it was so ineffably holy by reason <strong>of</strong> its long interment in mother earth, and assembled<br />
in such numbers from all the neighbouring country,<br />
that I was compelled, in face <strong>of</strong> the multitudes, and<br />
in case <strong>of</strong> an assault upon my small camp <strong>of</strong> workmen,<br />
to give it up; and I heard a few years afterwards,<br />
that a fine temple had been built for this object and<br />
others which we had disinterred. The Brahmans informed<br />
me that the object I here illustrate, was a<br />
very peculiar Lingam, “in whole as well as in part,”<br />
and in much else besides, and that there should have<br />
been an Argha as I here show by dotted lines; but<br />
although we searched diligently for this, we never<br />
Fig. 41.—SIVA AS GOD OF FIRE—AGNI.<br />
discovered it. We found, however, many other images<br />
which had led the priests to consider, that it had been<br />
in a temple dedicated to Siva, under the form <strong>of</strong> the god Agni who is here entering “the<br />
door <strong>of</strong> <strong>Life</strong>” holding two writhing Cobras, whose heads like Agni’s, are emitting sparks<br />
<strong>of</strong> fire; so that here we have an Apollo with his bow and arrows passing the portal <strong>of</strong><br />
creation, an exactly similar idea to that which the artistic Greek gives us in my<br />
illustration, Fig. 44, p. 127. The porch itself irradiates Fire as we see in the Asyrian