27.06.2013 Views

Forlong - Rivers of Life

Forlong - Rivers of Life

Forlong - Rivers of Life

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Serpent and Phallic Worship.<br />

what Orientalists have so <strong>of</strong>ten said in regard. to the full significance <strong>of</strong> every line<br />

or even dot in these great national religious figures. Here every line and curve and<br />

dot has a name and a distinct meaning, all <strong>of</strong> which are recorded in countless holy writings,<br />

and not the least is the kneeling attitude <strong>of</strong> the Nanda., a position not common<br />

to bulls, and which for a long time I could not discover and cannot here speak <strong>of</strong>.<br />

In the drawing <strong>of</strong> “the Asyrian Tree <strong>of</strong> <strong>Life</strong>,” page 73, Fig. 25, which some<br />

4000 years ago was sculptured on Asyria’s buried palaces, we have the same idea.<br />

The Asyrian Ark is shut, and the Bull stands erect with the reptile encircling his neck,<br />

as we occasionally still see in India. A veritahle “budding rod” or tree <strong>of</strong> the High<br />

Priest, separates him from the door <strong>of</strong> the fire ark; which he is seen approaching with<br />

fruit and knife. All these sculpturings, however, betoken a, time far in advance<br />

<strong>of</strong> that which aboriginal tribes have even now attained to, or to which Romans<br />

reached till about the third century B.C., for statuary was slow in appearing in<br />

Europe. The: more usual Eastern Maha Deva takes the form <strong>of</strong> a simple “conical<br />

stone on a mound <strong>of</strong> earth,” such as we see the African calls his Legba; or the<br />

“whitened tree stump” which he denominates Ajar-ama, and quaintly considers a<br />

fit representative <strong>of</strong> the white foreigner. The ordinary Maha Deva <strong>of</strong> Northern India is,<br />

however, this very simple but complete arrangement in which we see what was, I suspect,<br />

the first Delphic Tripod supporting a vase <strong>of</strong> water over the Linga-in-Yoni. Such may<br />

be counted by scores, in a day’s march over Northern India, and especially at ghats or<br />

river ferries, or crossings <strong>of</strong> any streams, or roads; for are they not Hermes? The vessel<br />

<strong>of</strong> water is pierced at foot, and into the little holes straws are thrust so as to direct a<br />

constant trickle <strong>of</strong> water on to the symbol. It is a pious act to constantly renew this<br />

water from the most holy springs, or better from the<br />

Ganges. It is not necessary to have a carved Argha and<br />

polished Maha Deva; the poor can equally please the<br />

Creator by clearing a little spot under any holy tree, or if<br />

none holy enough exist, by planting a slip from a holy one;<br />

or if this even is not possible, by merely setting up a stone<br />

<strong>of</strong> almost any unhewn shape, describing a circle around it,<br />

and then cleaning and keeping tidy all about it; for the<br />

great Creator loves as much the widow’s mite as the<br />

magnificent shrine and priestly rites which the rich<br />

establish in his name.<br />

Fig. 40.<br />

RURAL LINGAM AND VASE.<br />

Probably no religion is more persistent than all forms <strong>of</strong> Phallic faith in again<br />

and again repeating every hidden meaning in its symbolism. This is so by design, in<br />

order to impress them thoroughly on the mind <strong>of</strong> the most illiterate. Thus the aid <strong>of</strong><br />

the architect, the sculptor, and the painter, are all brought to bear on the eye and feeling.<br />

Hindoo temples, therefore, as a whole, as well as in every part, must depict the<br />

Deity in all his forms or ideas, snd this is variously accomplished, sometimes in ornamentation,<br />

wild, extravagent, and pr<strong>of</strong>use; and elsewhere only conspicuous by its<br />

121

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!