27.06.2013 Views

Forlong - Rivers of Life

Forlong - Rivers of Life

Forlong - Rivers of Life

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

98<br />

<strong>Rivers</strong> <strong>of</strong> <strong>Life</strong>, or Faiths <strong>of</strong> Man in all Lands.<br />

element, by having his Egyptian type, the Apis (Op-is), behind him—a position<br />

quite similar to that <strong>of</strong> the Sivaik Nanda in front <strong>of</strong> the Yoni. On the reverse <strong>of</strong> the<br />

coin is generally the well-known Cista Mystica, half open, and from which a Serpent<br />

is seen issuing; and around which are Bacchic-looking objects, grapes, vine-leaves<br />

formed like Phalli, &c.; this will be seen further on.<br />

The cist is <strong>of</strong>ten shown below the. other figures, as in the coin, Fig. 11, Plate IV.;<br />

sometimes it is the ark or the altar, now altar-table with Christians, but still the ark<br />

with our Jewish friends; the shank shell, or koncha veneris, represents it with our<br />

Indian brethren, as this is seen in coins 1 and 10 <strong>of</strong> this same plate. This altar feature<br />

is very varied, and always very holy even to the touch; that is equally a holy altar or<br />

ark on which the holy fire is burning, and from the base <strong>of</strong> which spring two<br />

Serpents, and that conical-like cist believed to represent the Paphian Venus, whose<br />

symbol was ovate, such as is sin in Fig. 3, Plate V., which is taken from one <strong>of</strong><br />

Lajard’s drawings <strong>of</strong> a bronze coin <strong>of</strong> Vespasian struck in Cyprus: Here two lighted<br />

candles (highly Phallic symbols) are seen burning by the sides <strong>of</strong> this altar <strong>of</strong> Love,<br />

and passion is springing from the two altar-pillars and wreathing over the altar itself,<br />

which here serves to cover the scene supposed to be enacted below, as in the case <strong>of</strong><br />

a remarkable Pompeian painting which follows.<br />

In Fig. 4, Plate IV., we have a great gem originally also from Lajard’s Recheches<br />

sur le Culte de Venus, which embraces more ideas than most. “It is a white agate<br />

stone shaped like a cone (therefore Sivaic), and this cutting is on the lower face,” so<br />

that the shape <strong>of</strong> the whole is either a Lingam or the Paphian cone. The central<br />

rudder-like column is highly mystic, and may represent either the general idea <strong>of</strong> all<br />

great gods being bi-sexual, or, as Dr. Inman thinks, “the Androgyne deity, as Balaam,<br />

Ashtaroth, Elohim, Jupiter Genitor, or the bearded Venus Mylitta;” 1 for on the right<br />

we have a bare female face, and on the left a bearded face, an inverted triangle, and<br />

radiating solar corona connecting the two heads. Female symbols preponderate on<br />

the right; even the Serpent on that side seems to be denoted as feminine, having a<br />

large round head aud very prominent eye, and Isis’ crescent moon over-head and cup<br />

below, and a six-rayed star in the centre; whilst on the left we have a bearded man,<br />

the usual pointed serpent-head, and this in the solar aureol, which is generally a male<br />

sign; but on the other hand, we have a Yoni here; below is shown a cup over a<br />

phallic-shaped vase, such as is still the favourite form for all oil and water vessels in<br />

Sivaic temples; over the whole are three stars. The grand embodied idea is no doubt<br />

passion, or creation. The Caduceus idea <strong>of</strong> Fig. 11, Plate V., is again given as usually<br />

worn by men <strong>of</strong> authority in Fig. 9, Plate IV., or else it is here to denote that this<br />

Serpent on the rigbt is the male, a. fact <strong>of</strong>ten thus empbasized in Phallic lore.<br />

It is only, I think, the shores <strong>of</strong> the Mediterranean, about India and the banks <strong>of</strong><br />

1 Ancient Faiths embodied in Ancient Names, I.<br />

Descriptive Plates, xiii. I am greatly indebted to<br />

this bold and earnest writer for all the figures in<br />

Plates IV. and V., and very much else.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!