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Equinox I (04).pdf

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THE TEMPLE OF SOLOMON THE KING<br />

The six Chakkras are points often used by the Yogi when<br />

in contemplation. Thus seated in the Padmâsana he will fix<br />

his attention in the Ajna lotus, and by contemplating upon<br />

this light the “Shiva Sanhita”* informs us “all sins<br />

(unbalanced forces) are destroyed, and even the most wicked<br />

(unbalanced) person obtains the highest end.”<br />

Those who would practise Dhâranâ successfully should<br />

live alone, and should take care to distract the mind as little<br />

as possible. They should not speak much or work much, and<br />

they should avoid all places, persons and food which repel<br />

them.† The first signs of success will be better health and<br />

temperament, and a clearer voice. Those who practise<br />

zealously will towards the final stages of Dhâranâ hear sounds<br />

as of the pealing of distant bells,‡ and will see specks of light<br />

floating before them which will grow larger and larger as the<br />

concentration proceeds. “Practice hard!” urges Swami Vivekânanda,<br />

“whether you live or die, it does not matter. You<br />

have to plunge in and work, without thinking of the result. If<br />

you are brave enough, in six months you will be a perfect<br />

Yogi.Ӥ<br />

DHYÂNA.<br />

After Dhâranâ we arrive at Dhyâna, or meditation upon<br />

the outpouring of the mind on the object held by the will.ƒƒ<br />

* See Chapter V, 43-51.<br />

† Compare the Abramelin instructions with these. ‡ The Nada.<br />

§ Compare Eliphas Levi, “Doctrine and Ritual of Magic,” p. 195.<br />

ƒƒ Imagine the objective world to be represented by a sheet of paper covered<br />

with letters and the names of things, and our power of concentration to be a<br />

magnifying glass: that power is of no use, should we wish to burn that paper,<br />

until the rays of light are focussed. By moving the glass or paper with our hand<br />

105

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