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THE HIGHER WORLD 65<br />
If now he turns the square about the point A in the<br />
plane of zy, each parallel section turns with the square<br />
he moves. In each of the sections there is a point of<br />
rest, that vertically over A. Hence he would conclude<br />
that in the turning of a three-dimensional body there is<br />
one line which is at rest. That is, a three-dimensional<br />
turning is a turning about a line.<br />
In a similar way let us regard ourselves as limited to a<br />
three-dimensional world by a physical condition. Let us<br />
imagine that there is a direction at right angles to every<br />
direction in which we can move, and that we are prevented<br />
from passing in this direction by a vast solid, that<br />
against which in every movement we make we slip as<br />
the plane being slips against his plane sheet.<br />
We can then consider a four-dimensional body as consisting<br />
of a series of sections, each parallel to our space,<br />
and each a little further off than the preceding on the<br />
unknown dimension.<br />
Take the simplest four-dimensional body—one which<br />
z<br />
begins as a cube, fig. 36, in our<br />
space, and consists of sections, each<br />
F H<br />
a cube like fig. 36, lying away from<br />
our space. If we turn the cube<br />
y<br />
B D<br />
which is its base in our space<br />
G about a line, if, e.g., in fig. 36 we<br />
E<br />
turn the cube about the line AB,<br />
A C x not only it but each of the parallel<br />
Fig. 36.<br />
cubes moves about a line. <strong>The</strong><br />
cube we see moves about the line AB, the cube beyond it<br />
about a line parallel to AB and so on. Hence the whole<br />
four-dimensional body moves about a plane, for the<br />
assemblage of these lines is our way of thinking about the<br />
plane which, starting from the line as in our space, runs<br />
off in the unknown direction.