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Hinton - The Fourth Dimension.pdf

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THE HIGHER WORLD 65<br />

If now he turns the square about the point A in the<br />

plane of zy, each parallel section turns with the square<br />

he moves. In each of the sections there is a point of<br />

rest, that vertically over A. Hence he would conclude<br />

that in the turning of a three-dimensional body there is<br />

one line which is at rest. That is, a three-dimensional<br />

turning is a turning about a line.<br />

In a similar way let us regard ourselves as limited to a<br />

three-dimensional world by a physical condition. Let us<br />

imagine that there is a direction at right angles to every<br />

direction in which we can move, and that we are prevented<br />

from passing in this direction by a vast solid, that<br />

against which in every movement we make we slip as<br />

the plane being slips against his plane sheet.<br />

We can then consider a four-dimensional body as consisting<br />

of a series of sections, each parallel to our space,<br />

and each a little further off than the preceding on the<br />

unknown dimension.<br />

Take the simplest four-dimensional body—one which<br />

z<br />

begins as a cube, fig. 36, in our<br />

space, and consists of sections, each<br />

F H<br />

a cube like fig. 36, lying away from<br />

our space. If we turn the cube<br />

y<br />

B D<br />

which is its base in our space<br />

G about a line, if, e.g., in fig. 36 we<br />

E<br />

turn the cube about the line AB,<br />

A C x not only it but each of the parallel<br />

Fig. 36.<br />

cubes moves about a line. <strong>The</strong><br />

cube we see moves about the line AB, the cube beyond it<br />

about a line parallel to AB and so on. Hence the whole<br />

four-dimensional body moves about a plane, for the<br />

assemblage of these lines is our way of thinking about the<br />

plane which, starting from the line as in our space, runs<br />

off in the unknown direction.

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