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THE HIGHER WORLD 63<br />
dimensions. His limitation to a plane must be the result<br />
of physical conditions.<br />
We will therefore think of him as of a figure cut out of<br />
paper placed on a smooth plane. Sliding over this plane,<br />
and coming into contact with other figures equally thin<br />
as he in the third dimension, he will apprehend them only<br />
by their edges. To him they will be completely bounded<br />
by lines. A “solid” body will be to him a two-dimensional<br />
extent, the interior of which can only be reached by<br />
penetrating through the bounding lines.<br />
Now such a plane being can think of our threedimensional<br />
existence in two ways.<br />
First, he can think of it as a series of sections, each like<br />
the solid he knows of extending in a direction unknown<br />
to him, which stretches transverse to his tangible<br />
universe, which lies in a direction at right angles to every<br />
motion which he made.<br />
Secondly, relinquishing the attempt to think of the<br />
three-dimensional solid body in its entirety he can regard<br />
it as consisting of a number of plane sections, each of them<br />
in itself exactly like the two-dimensional bodies he knows,<br />
but extending away from his two-dimensional space.<br />
A square lying in his space he regards as a solid<br />
bounded by four lines, each of which lies in his space.<br />
A square standing at right angles to his plane appears<br />
to him as simply a line in his plane, for all of it except<br />
the line stretches in the third dimension.<br />
He can think of a three-dimensional body as consisting<br />
of a number of such sections, each of which starts from a<br />
line in his space.<br />
Now, since in his world he can make any drawing or<br />
model which involves only two dimensions, he can represent<br />
each such upright section as it actually is, and can represent<br />
a turning from a known into the unknown dimension<br />
as a turning from one to another of his known dimensions.