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Hinton - The Fourth Dimension.pdf

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THE FIRST CHAPTER IN THE HISTORY OF FOUR SPACE 31<br />

on the diagonal is equal to the sum of the squares on<br />

the sides. This property of matter is one of the first<br />

great discoveries of applied mathematics. We shall prove<br />

afterwards that it is not a property of space. For this<br />

present it is enough to remark that the positions in<br />

which the points are arranged is entirely experimental.<br />

It is by means of equal pieces of some material, or the<br />

same piece of material moved from one place to another,<br />

that the points are arranged.<br />

Pythagoras next enquired what the relation must be<br />

so that a square drawn slanting-wise should be equal to<br />

one straight-wise. He found that a square whose side is<br />

five can be placed either rectangularly along the lines<br />

of points, or in a slanting position. And this square is<br />

equivalent to two squares of sides 4 and 3.<br />

Here he came upon a numerical relation embodied in<br />

a property of matter. Numbers immanent in the objects<br />

produced the equality so satisfactory for intellectual apprehension.<br />

And he found that numbers when immanent<br />

in sound—when the strings of a musical instrument<br />

were given certain definite proportions of length—were<br />

no less captivating to the ear than the equality of squares<br />

was to the reason. What wonder then that he ascribed<br />

an active power to number.<br />

We must remember that, sharing like ourselves the<br />

search for the permanent in changing phenomena, the<br />

Greeks had not that conception of the permanent in<br />

matter that we have. To them material things were not<br />

permanent. In fire solid things would vanish; absolutely<br />

disappear. Rock and earth had a more stable existence,<br />

but they too grew and decayed. <strong>The</strong> permanence of<br />

matter, the conservation of energy, were unknown to<br />

them. And that distinction which we draw so readily<br />

between the fleeting and permanent causes of sensation,<br />

between a sound and a material object, for instance, had

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