27.06.2013 Views

Hinton - The Fourth Dimension.pdf

Hinton - The Fourth Dimension.pdf

Hinton - The Fourth Dimension.pdf

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

THE FIRST CHAPTER IN THE HISTORY OF FOUR SPACE 25<br />

If we pass a spiral through the film the intersection<br />

will give us a point moving in a circle shown by the dotted<br />

lines in the square. Suppose<br />

now the spiral to be still and<br />

the film to move vertically<br />

upwards, the whole spiral will<br />

be represented in the film of<br />

the consecutive positions of the<br />

point of intersection. In the<br />

film the permanent evidence<br />

of the spiral is experienced as<br />

a time series—the record of<br />

traversing the spiral is a point<br />

Fig. 14.<br />

moving in a circle. If now<br />

we suppose a consciousness con-<br />

nected with the film in such a way that the intersection of<br />

the spiral with the film gives rise to a conscious experience,<br />

we shall see that we have in the film a point moving in a<br />

circle, conscious of its motion, knowing nothing of that<br />

real spiral the record of the successive interactions of<br />

which by the film is the motion of the point.<br />

It is easy to imagine complicated structures of the<br />

nature of the spiral, structures consisting of filaments,<br />

and to suppose also that these structures are distinguishable<br />

from each other at every section. If we consider<br />

the intersections of these filaments with the film as it<br />

passes to be the atoms constituting a filmar universe,<br />

we shall have bodies corresponding to the filamentary<br />

structure, and the positions of these structures with<br />

regard to one another will give rise to bodies in the film<br />

moving amongst one another. This mutual motion<br />

is apparent merely. <strong>The</strong> reality is of permanent structures<br />

stationary, and all the relative motions accounted for by<br />

one steady movement of the film as a whole.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!