Hinton - The Fourth Dimension.pdf
Hinton - The Fourth Dimension.pdf Hinton - The Fourth Dimension.pdf
238 THE FOURTH DIMENSION catalogue cube 2 is rightly placed. Catalogue cube 3 is just like number 1. Having these cubes in what we may call their normal position, proceed to build up the three sets of blocks. This is easily done in accordance with the colour scheme on the catalogue cubes. The first block we already know. Build up the second block, beginning with a blue corner cube, placing a purple on it, and so on. Having these three blocks we have the means of representing the appearances of a group of eighty-one tesseracts. Let us consider a moment what the analogy in the case of the plane being is. He has his three sets of nine slabs each. We have our three sets of twenty-seven cubes each. Our cubes are like his slabs. As his slabs are not the things which they represent to him, so our cubes are not the things they represent to us. The plane being’s slabs are to him the faces of cubes. Our cubes then are the faces of tesseracts, the cubes by which they are in contact with our space. As each set of slabs in the case of the plane being might be considered as a sort of tray from which the solid contents of the cubes came out, so our three blocks of cubes may be considered as three-space trays, each of which is the beginning of an inch of the solid contents of the four-dimensional solids starting from them. We want now to use the names null, red, white, etc., for tesseracts. The cubes we use are only tesseract faces. Let us denote that fact by calling the cube of null colour, null face; or, shortly, null f., meaning that it is the face of a tesseract. To determine which face it is let us look at the catalogue cube 1 or the first of the views of the tesseract, which
APPENDIX I: THE MODELS 239 can be used instead of the models. It has three axes, red, white, yellow, in our space. Hence the cube determined by these axes is the face of the tesseract which we now have before us. It is the ochre face. It is enough, however, simply to say null f., red f. for the cubes which we use. To impress this in your mind, imagine that tesseracts do actually run from each cube. Then, when you move the cubes about, you move the tesseracts about with them. You move the face but the tesseract follows with it, as the cube follows when its face is shifted in a plane. The cube null in the normal position is the cube which has in it the red, yellow, white axes. It is the face having these, but wanting the blue. In this way you can define which face it is you are handling. I will write an “f.” after the name of each tesseract just as the plane being might call each of his slabs null slab, yellow slab, etc., to denote that they were representations. We have then in the first block of twenty-seven cubes, the following—null f., red f., null f., going up; white f., null f., lying to the right, and so on. Starting from the null point and travelling up one inch we are in the null region, the same for the away and the right-hand directions. And if we were to travel in the fourth dimension for an inch we should still be in a null region. The tesseract stretches equally all four ways. Hence the appearance we have in this first block would do equally well if the tesseract block were to move across our space for a certain distance. For anything less than an inch of their transverse motion we would still have the same appearance. You must notice, however, that we should not have null face after the motion had begun. When the tesseract, null for instance, had moved ever so little we should not have a face of null but a section of null in our space. Hence, when we think of the motion
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APPENDIX I: THE MODELS 239<br />
can be used instead of the models. It has three axes,<br />
red, white, yellow, in our space. Hence the cube determined<br />
by these axes is the face of the tesseract which we<br />
now have before us. It is the ochre face. It is enough,<br />
however, simply to say null f., red f. for the cubes which<br />
we use.<br />
To impress this in your mind, imagine that tesseracts<br />
do actually run from each cube. <strong>The</strong>n, when you move the<br />
cubes about, you move the tesseracts about with them.<br />
You move the face but the tesseract follows with it, as the<br />
cube follows when its face is shifted in a plane.<br />
<strong>The</strong> cube null in the normal position is the cube which<br />
has in it the red, yellow, white axes. It is the face<br />
having these, but wanting the blue. In this way you can<br />
define which face it is you are handling. I will write an<br />
“f.” after the name of each tesseract just as the plane<br />
being might call each of his slabs null slab, yellow slab,<br />
etc., to denote that they were representations.<br />
We have then in the first block of twenty-seven cubes,<br />
the following—null f., red f., null f., going up; white f., null<br />
f., lying to the right, and so on. Starting from the null<br />
point and travelling up one inch we are in the null region,<br />
the same for the away and the right-hand directions.<br />
And if we were to travel in the fourth dimension for an<br />
inch we should still be in a null region. <strong>The</strong> tesseract<br />
stretches equally all four ways. Hence the appearance we<br />
have in this first block would do equally well if the<br />
tesseract block were to move across our space for a certain<br />
distance. For anything less than an inch of their transverse<br />
motion we would still have the same appearance.<br />
You must notice, however, that we should not have null<br />
face after the motion had begun.<br />
When the tesseract, null for instance, had moved ever<br />
so little we should not have a face of null but a section of<br />
null in our space. Hence, when we think of the motion