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REMARKS ON THE FIGURES 199<br />
Hence when this cube had passed half-way through he<br />
would have—instead of the orange line with null points,<br />
which he had at first—an ochre line of half its length,<br />
with pink and light yellow points. Thus, as the cube<br />
passed slowly through his plane, he would have a succession<br />
of lines gradually diminishing in length and<br />
forming an equilateral triangle. <strong>The</strong> whole interior would<br />
be ochre, the line from which it started would be orange.<br />
<strong>The</strong> succession of points at the ends of the succeeding<br />
lines would form pink and light yellow lines and the<br />
final point would be null. Thus looking at the successive<br />
lines in the section plane as it and the cube passed across<br />
his plane he would determine the figure cut out bit<br />
by bit.<br />
Coming now to the section of the tesseract, let us<br />
imagine that the tesseract and its cutting space pass<br />
slowly across our space; we can examine portions of it,<br />
and their relation to portions of the cutting space. Take<br />
the section space which passes through the four points,<br />
null r., wh., y., b.; we can see in the ochre cube (fig. 119)<br />
the plane belonging to this section space, which passes<br />
through the three extremities of the red, white, yellow<br />
axes.<br />
Now let the tesseract pass half way through out space.<br />
Instead of our original axes we have parallels to them,<br />
purple, pink and green, each of the same length as the<br />
first axes, for the section of the tesseract is of exactly<br />
the same shape as its ochre cube.<br />
But the sectional space seen at this stage of the transference<br />
would not cut the section of the tesseract in a<br />
plane disposed as at first.<br />
To see where the sectional space would cut these<br />
parallels to the original axes let the tesseract swing so<br />
that, the orange face remaining stationary, the blue line<br />
comes in to the left.