Hinton - The Fourth Dimension.pdf

More documents

Recommendations

Info

164 THE FOURTH DIMENSION natural supposition to make. It is also natural to suppose that blue added to red makes purple. Orange and blue can be made to give a brown, by using certain shades and proportions. And ochre and blue can be made to give a light brown. But the scheme of colours is merely used for getting a definite and realisable set of names and distinctions visible to the eye. Their naturalness is apparent to any one in the habit of using colours, and may be assumed to be justifiable, as the sole purpose is to devise a set of names which are easy to remember, and which will give us a set of colours by which diagrams may be made easy of comprehension. No scientific classification of colours has been attempted. Starting, then, with these sixteen colour names, we have a catalogue of the sixteen tesseracts, which form a fourdimensional block analogous to the cubic block. But the cube which we can put in space and look at is not one of the constituent tesseracts; it is merely the beginning, the solid face, the side, the aspect, of a tesseract. We will now proceed to derive a name for each region, point, edge, plane face, solid and a face of the tesseract. The system will be clear, if we look at a representation in the plane of a tesseract with three, and one with four divisions in its side. The tesseract made up of three tesseracts each way corresponds to the cube made up of three cubes each way, and will give us a complete nomenclature. In this diagram, fig. 101, 1 represents a cube of 27 cubes, each of which is the beginning of a tesseract. These cubes are represented only by their lowest squares, the solid content must be understood. 2 represents the 27 cubes which are the beginnings of the 27 tesseracts one inch on in the fourth dimension. These tesseracts are represented as a block of cubes put side by side with
THE SIMPLEST FOUR-DIMENSIONAL SOLID 165 the first block, but in their proper positions they could not be in space with the first set. 3 represents 27 cubes 1 Each cube is the beginning of the first tesseract going in the fourth dimension Fig. 101. 2 Each cube is the beginning of the second tesseract. 3 Each cube is the beginning of the third tesseract. (forming a larger cube) which are the beginnings of the tesseracts, which begin two inches in the fourth direction from our space and continue another inch.
Page 3 and 4:
THE FOURTH DIMENSION
Page 5 and 6:
THE FOURTH DIMENSION BY C. HOWARD H
Page 7 and 8:
PREFACE I HAVE endeavoured to prese
Page 9 and 10:
CONTENTS CHAP. PAGE. I. FOUR-DIMENS
Page 11 and 12:
THE FOURTH DIMENSION ————
Page 13 and 14:
FOUR-DIMENSIONAL SPACE 3 existence
Page 15 and 16:
FOUR-DIMENSIONAL SPACE 5 Bringing i
Page 17 and 18:
THE ANALOGY OF A PLANE WORLD 7 him.
Page 19 and 20:
THE ANALOGY OF A PLANE WORLD 9 to a
Page 21 and 22:
THE ANALOGY OF A PLANE WORLD 11 Aga
Page 23 and 24:
THE ANALOGY OF A PLANE WORLD 13 sec
Page 25 and 26:
CHAPTER III THE SIGNIFICANCE OF A F
Page 27 and 28:
SIGNIFICANCE OF A FOUR-DIMENSIONAL
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
CHAPTER IV THE FIRST CHAPTER IN THE
Page 35 and 36:
THE FIRST CHAPTER IN THE HISTORY OF
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
CHAPTER V THE SECOND CHAPTER IN THE
Page 53 and 54:
SECOND CHAPTER IN THE HISTORY OF FO
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
CHAPTER VI THE HIGHER WORLD IT is i
Page 73 and 74:
THE HIGHER WORLD 63 dimensions. His
Page 75 and 76:
THE HIGHER WORLD 65 If now he turns
Page 77 and 78:
THE HIGHER WORLD 67 to him that, by
Page 79 and 80:
THE HIGHER WORLD 69 simply the plan
Page 81 and 82:
THE HIGHER WORLD 71 turn these rods
Page 83 and 84:
THE HIGHER WORLD 73 revolution, the
Page 85 and 86:
THE HIGHER WORLD 75 the mode of act
Page 87 and 88:
THE EVIDENCES FOR A FOURTH DIMENSIO
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
Page 95 and 96:
CHAPTER VIII THE USE OF FOUR DIMENS
Page 97 and 98:
5 THE USE OF FOUR DIMENSIONS IN THO
Page 99 and 100:
THE USE OF FOUR DIMENSIONS IN THOUG
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
Page 111 and 112:
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
CHAPTER IX APPLICATION TO KANT’S
Page 119 and 120:
APPLICATION TO KANT’S THEORY OF E
Page 121 and 122:
APPLICATION TO KANT’S THEORY OF E
Page 123 and 124: 3 APPLICATION TO KANT’S THEORY OF
Page 125 and 126: APPLICATION TO KANT’S THEORY OF E
Page 133 and 134: A FOUR-DIMENSIONAL FIGURE 123 The r
Page 135 and 136: A FOUR-DIMENSIONAL FIGURE 125 new d
Page 137 and 138: A FOUR-DIMENSIONAL FIGURE 127 pick
Page 139 and 140: A FOUR-DIMENSIONAL FIGURE 129 Now s
Page 141 and 142: A FOUR-DIMENSIONAL FIGURE 131 of me
Page 143 and 144: A FOUR-DIMENSIONAL FIGURE 133 note
Page 145 and 146: A FOUR-DIMENSIONAL FIGURE 135 These
Page 147 and 148: NOMENCLATURE AND ANALOGIES 137 to a
Page 149 and 150: NOMENCLATURE AND ANALOGIES 139 null
Page 151 and 152: NOMENCLATURE AND ANALOGIES 141 laye
Page 153 and 154: NOMENCLATURE AND ANALOGIES 143 a li
Page 155 and 156: NOMENCLATURE AND ANALOGIES 145 oppo
Page 157 and 158: NOMENCLATURE AND ANALOGIES 147 the
Page 159 and 160: NOMENCLATURE AND ANALOGIES 149 dime
Page 161 and 162: NOMENCLATURE AND ANALOGIES 151 larg
Page 163 and 164: NOMENCLATURE AND ANALOGIES 153 axes
Page 165 and 166: NOMENCLATURE AND ANALOGIES 155 lie
Page 167 and 168: CHAPTER XII THE SIMPLEST FOUR-DIMEN
Page 169 and 170: THE SIMPLEST FOUR-DIMENSIONAL SOLID
Page 173: THE SIMPLEST FOUR-DIMENSIONAL SOLID
Page 185 and 186: Purple Red THE SIMPLEST FOUR-DIMENS
Page 187 and 188: Light blue Gren Light purple THE SI
Page 189 and 190: REMARKS ON THE FIGURES 179 ochre cu
Page 191 and 192: REMARKS ON THE FIGURES 181 for it i
Page 193 and 194: REMARKS ON THE FIGURES 183 that is
Page 195 and 196: REMARKS ON THE FIGURES 185 yellow l
Page 197 and 198: REMARKS ON THE FIGURES 187 As the r
Page 199 and 200: REMARKS ON THE FIGURES 189 cubes, w
Page 201 and 202: 4 4 REMARKS ON THE FIGURES 191 The
Page 203 and 204: REMARKS ON THE FIGURES 193 face or
Page 205 and 206: REMARKS ON THE FIGURES 195 face in
Page 207 and 208: REMARKS ON THE FIGURES 197 space, a
Page 209 and 210: REMARKS ON THE FIGURES 199 Hence wh
Page 211 and 212: REMARKS ON THE FIGURES 201 sections
Page 213 and 214: CHAPTER XIV * A RECAPITULATION AND
Page 215 and 216: RECAPITULATION AND EXTENSION 205 ou
Page 217 and 218: RECAPITULATION AND EXTENSION 207 ha
Page 219 and 220: RECAPITULATION AND EXTENSION 209 Bu
Page 221 and 222: RECAPITULATION AND EXTENSION 211 We
Page 223 and 224: RECAPITULATION AND EXTENSION 213 Th
Page 225 and 226:
RECAPITULATION AND EXTENSION 215 th
Page 227 and 228:
RECAPITULATION AND EXTENSION 217 In
Page 229 and 230:
Page 231 and 232:
RECAPITULATION AND EXTENSION 221 ta
Page 233 and 234:
RECAPITULATION AND EXTENSION 223 If
Page 235 and 236:
Page 237 and 238:
RECAPITULATION AND EXTENSION 227 di
Page 239 and 240:
RECAPITULATION AND EXTENSION 229 If
Page 241 and 242:
APPENDIX I THE MODELS IN Chapter XI
Page 243 and 244:
APPENDIX I: THE MODELS 233 in an op
Page 245 and 246:
APPENDIX I: THE MODELS 235 would be
Page 247 and 248:
APPENDIX I: THE MODELS 237 have to
Page 249 and 250:
APPENDIX I: THE MODELS 239 can be u
Page 251 and 252:
APPENDIX I: THE MODELS 241 The four
Page 253 and 254:
APPENDIX I: THE MODELS 243 orange f
Page 255 and 256:
APPENDIX I: THE MODELS 245 we make
Page 257 and 258:
APPENDIX I: THE MODELS 247 sponding
Page 259 and 260:
APPENDIX II: A LANGUAGE OF SPACE 24
Page 261 and 262:
Page 263 and 264:
Page 265 and 266:
Page 267 and 268:
Page 269 and 270:
Page 271 and 272:
Page 273 and 274:
Page 275 and 276:
Sil Sit Sin Sil Sit Sin Silan Sitan
Page 277 and 278:
Page 279 and 280:
Page 281 and 282:
TRANSCRIBER’S NOTE. Do what thou
show all

Hinton - The Fourth Dimension.pdf

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?