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Hinton - The Fourth Dimension.pdf

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CHAPTER X<br />

A FOUR-DIMENSIONAL FIGURE<br />

THE method used in the preceding chapter to illustrate<br />

the problem of Kant’s critique, gives a singularly easy<br />

and direct mode of constructing a series of important<br />

figures in any number of dimensions.<br />

We have seen that to represent our space a plane being<br />

must give up one of his axes, and similarly to represent<br />

the higher shapes we must give up one amongst our<br />

three axes.<br />

But there is another kind of giving up which reduces<br />

the construction of higher shapes to a matter of the<br />

utmost simplicity.<br />

Ordinarily we have on a straight line any number of<br />

positions. <strong>The</strong> wealth of space in position is illimitable,<br />

while there are only three dimensions.<br />

I propose to give up this wealth of positions, and to<br />

consider the figures obtained by taking just as many<br />

positions as dimensions.<br />

In this way I consider dimensions and positions as two<br />

“kinds,” and applying the simple rule of selecting every<br />

one of one kind with every other of every other kind,<br />

get a series of figures which are noteworthy because<br />

they exactly fill space of any number of dimensions<br />

(as the hexagon fills a plane) by equal repetitions of<br />

themselves.<br />

122

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