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Hinton - The Fourth Dimension.pdf

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THE USE OF FOUR DIMENSIONS IN THOUGHT 103<br />

letters I, E, O, in the third wall to the right, the second<br />

wall away, the topmost layer. Now this combination of<br />

premisses in the mood IE, with a conclusion in the mood<br />

O, is not noticed in any book on logic with which I am<br />

familiar. Let us look at it four ourselves, as it seems<br />

that there must be something curious in connection with<br />

this break of continuity in the poiograph.<br />

M<br />

P<br />

S M<br />

M<br />

M<br />

P<br />

M<br />

S M<br />

1st figure. 2nd figure.<br />

P<br />

S<br />

3rd figure. 4th figure.<br />

<strong>The</strong> propositions I, E in the various figures are the<br />

following, as shown in the accompanying scheme, fig. 58:—<br />

First figure: some M is P; no S is M. Second figure;<br />

some P is M; no S is M. Third figure: some M is P; no<br />

M is S. <strong>Fourth</strong> figure: some P is M; no M is S.<br />

Examining these figures, we see, taking the first, that<br />

if some M is P, and no S is M, we have no conclusion of<br />

P<br />

M<br />

M<br />

S

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