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Hinton - The Fourth Dimension.pdf

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100<br />

THE FOURTH DIMENSION<br />

premiss, mood E, the next to the mood I, and the last<br />

to mood O.<br />

<strong>The</strong> cube we see is as it were merely a tray against<br />

which the four-dimensional figure rests. Its section at<br />

any stage is a cube. But a transition in this direction<br />

being transverse to the whole of our space is represented<br />

by no space motion. We can exhibit successive stages of<br />

the result of transference of the cube in that direction,<br />

but cannot exhibit the product of a transference, however<br />

small, in that direction.<br />

minor<br />

(1)<br />

O<br />

I<br />

E<br />

A A E I O<br />

major<br />

O<br />

I<br />

E<br />

A<br />

(2)<br />

A E I O<br />

O<br />

I<br />

E<br />

A<br />

Fig. 56.<br />

(3)<br />

A E I O<br />

O<br />

I<br />

E<br />

A<br />

(4)<br />

A E I O<br />

To return to the original method of representing our<br />

variables, consider fig. 56. <strong>The</strong>se four cubes represent<br />

four sections of the figure derived from the first of them<br />

by moving it in the fourth dimension. <strong>The</strong> first por-<br />

tion of the motion, which begins with 1, traces out a<br />

more than solid body, which is all in the first figure.<br />

<strong>The</strong> beginning of this body is shown in 1. <strong>The</strong> next<br />

portion of the motion traces out a more than solid body,<br />

all of which is in the second figure; the beginning of<br />

this body is shown in 2; 3 and 4 follow on in<br />

like manner. Here, then, in one four-dimensional figure we<br />

have all the combinations of the four variables, major<br />

premiss, minor premiss, figure, conclusion, represented,<br />

each variable going through its four varieties. <strong>The</strong> disconnected<br />

cubes drawn are our representation in space by<br />

means of disconnected sections of this higher body.

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