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Book 4 Part II Magick.pdf

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119<br />

When speaking of the Cup, it was shown how every fact must be made<br />

significant, how every stone must have its proper place in the mosaic.<br />

Woe were it were one stone misplaced! But that mosaic cannot be<br />

wrought at all, unless every stone be there.<br />

These stones are the simple impressions or expressions; not<br />

one may be foregone.<br />

Do not refuse anything merely because you know that it is the cup of<br />

poison offered by your enemy; drink it with confidence; it is he that<br />

will fall dead!<br />

How can I give Cambodian art its proper place in art, if I have never<br />

heard of Cambodia? How can the Geologist estimate the age of what<br />

lies beneath the chalk unless he have a piece of knowledge totally unconnected<br />

with geology, the life-history of the animals of whom that<br />

chalk is the remains?<br />

This then is a very great difficulty for the Magician. He cannot<br />

possibly have all experience, and though he may console himself philosophically<br />

with the reflection that the Universe is coterminous with<br />

such experience as he has, he will find it grow at such a pace during<br />

the early yers of his life that he may almost be tempted to believe in the<br />

possibility of experiences beyond his own, and from a practical<br />

standpoint he will seem to be confronted with so many avenues of<br />

knowledge that he will be bewildered which to choose.

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