Christa Giles

331 Huysmans, Certains, p. 72.
295
332 Paul Verlaine, Oeuvres poétiques complètes. Bibliothèque de la Pléiade.
(Paris: Gallimard, 1962), p. 261.
333 John Rewald, Post-Impressionism from Van Gogh to Gauguin (New York:
Museum of Modern Art, 1956), p. 148.
334 Huysmans, Certains, p. 72.
335 J. K. Huysmans, Down There, trans. Keene Wallace (New York: Dover
Publications, Inc., 1972), p. 114.
336 Ibid., p. 149.
337 The Complete Works of Oscar Wilde, p. 976.
338 Ibid.
339 Huysmans, Down There, p. 10.
340 The Complete Works of Oscar Wilde, p. 1039.
341 Ibid., p. 987.
342 Stéphane Mallarmé, Oeuvres complètes I, eds. C. P. Barbier and C. G.
Milan (Paris: Flammarion, 1983), p. 230.
343 Jean Pierrot, The Decadent Imagination 1880-1900, trans. Derek Coltman
(Chicago: University of Chicago Press, 1981), p. 183.
344 H. B. Chipp, ed., Theories of Modern Art (Berkeley: University of
California Press, 1968), p. 117.
345 Walter Pater, The Renaissance (New York: Boni & Liveright, 1919), p.
196.
346 Huysmans, Down There, p. 172.
347 Huysmans, Certains, p. 223.
348 J. Barbey D’Aurevilly, Oeuvres romanesques complètes. Bibliothèque de la
Pléiade. (Paris: Gallimard, 1966), vol. 2, p. 718.
349 Joseph Darracott, The World of Charles Ricketts (London: Eyre Methuen,
1980), p. 32.
350 Huysmans, Certains, p. 21.
351 Robert L. Delevoy, Symbolists and Symbolism (New York: Rizzoli
International Publications, Inc., 1978), p. 40.