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288<br />

168 J. K. Huysmans, Croquis parisiens (Paris: Librairie Plon, 1955), p. 196.<br />

169 Ibid., p. 189.<br />

170 Ibid., p. 190.<br />

171 J. K. Huysmans, L’Art moderne (Paris: Librairie Plon, 1908) p. 299.<br />

172 The Complete Works of Oscar Wilde, p. 163.<br />

173 Ibid., p. 938.<br />

174 Ibid., p. 94<br />

175 Ibid., p. 88.<br />

176 Ibid., p. 103.<br />

177 Huysmans, Against Nature, p. 196.<br />

178 The Complete Works of Oscar Wilde, p. 134.<br />

179 Ibid., p. 154.<br />

180 Ibid., p. 112.<br />

181 Ibid., p. 926.<br />

182 Ibid., p. 134.<br />

183 Ibid., p. 69.<br />

184 Ibid., p. 67.<br />

185 Ibid., p. 1041.<br />

186 J. E. Chamberlain, Ripe was the Drowsy Hour (New York: Seabury Press,<br />

1977), p. 20.<br />

187 The Complete Works of Oscar Wilde, p. 1012.<br />

188 Huysmans, Against Nature, p. 179.<br />

Chapter Two: Satanism<br />

189 Vivyan Holland, ed. The Complete Works of Oscar Wilde (London: Collins,<br />

1983), p. 103.<br />

190 J. K. Huysmans, Down There, trans. Keene Wallace (New York: Dover<br />

Publications, Inc., 1972), p. 2052.<br />

191 The Complete Works of Oscar Wilde, p. 122.

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