Christa Giles

91 Ibid., p. 32.
92 Ibid.
285
93 Philippe Jullian, Dreamers of Decadence (New York: Praeger Publishers,
1971), p. 25.
94 Baudelaire, Oeuvres complètes. (1961), vol. 1, p. 1179.
95 Barbey D’Aurevilly, Oeuvres, vol. 2, p. 178.
96 The Complete Works of Oscar Wilde, p. 995.
97 Richard Gilman, Decadence: The Strange Life of an Epithet (New York,
Farrar Straus and Giroux, 1979), p. 97.
98 The Complete Works of Oscar Wilde, p. 1205.
99 Ibid., p. 1052.
100 Robert L. Delevoy, Symbolists and Symbolism (New York: Rizzoli
International Publications Inc., 1978), p. 60.
101 J. K. Huysmans, Against Nature, trans. R. Baldick (New York: Penguin
Books, 1959), p. 109.
102 J. K. Huysmans, En Marge, (Paris: Chez Marcelle Lesage, 1927), p. 53.
103 The Complete Works of Oscar Wilde, p. 1101.
104 Ibid., p. 416.
105 Ibid., p. 390.
106 Ibid., p. 406.
107 Ibid., p. 1206.
108 Ibid., p. 103.
109 Ibid., p. 417.
110 C. Ricks, ed. The New Oxford Book of Victorian Verse (Oxford: Oxford
University Press, 1987), p. 586.
111 Arthur Symons, Selected Writings, ed. R. Holdsworth, p. 32.
112 John L. Lester, Journey Through Despair 1880-1914 (New Jersey:
Princeton University Press, 1968) p. 139.
113 Arthur Symons, Silhouettes (London: Leonard Smithers, 1897) p. 11.
114 ˝A Defence of Cosmetics˝ in The Yellow Book (1984), vol. 1.