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Christa Giles

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176<br />

intellectually and emotionally complete.˝ 464 Design<br />

overwhelms subject matter in decadent art but its highly<br />

self-conscious and self-mocking style is primarily<br />

addressed to the intellect.<br />

It follows that it would be the purely decorative<br />

quality of Japanese painting which appealed to Wilde and<br />

Huysmans. The interest in Japanese art began in France<br />

when Bracquemond found a volume of Hosukai. The<br />

Goncourt brothers, Zola and Baudelaire, as well as artists<br />

such as Degas, Manet, and Fantin-Latour, became greatly<br />

interested in Japanese art. Finally, Whistler began the craze<br />

in England, importing it from France. Between 1864 and<br />

1870, his paintings are markedly influenced by Japanese<br />

art. His conception of painting changed in this period and<br />

he desired to obtain a harmonious balance of colour<br />

applied to a decorative surface. Line, arrangement, and<br />

form became his primary concern; subject was incidental.<br />

Thus he called his paintings ˝harmonies,˝ ˝arrangements,˝<br />

˝nocturnes,˝ and ˝symphonies.˝ One of his paintings<br />

showed a black figure in the snow moving towards a<br />

lighted tavern. He called this painting ˝Harmony in Gray<br />

and Gold,˝ saying:<br />

Now that to me is a harmony of colour only. I<br />

care nothing for the past, present, or future of

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