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Christa Giles

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148<br />

Jacques awakens and the dream is dismissed: ˝Du coup, il<br />

rentra dans l’absolue réalité.˝ 405 Yet the word ˝absolue˝<br />

serves to undercut the statement, indirectly suggesting that<br />

there is another alternate reality. And the second sentence<br />

functions to deal a final blow to any complacent division<br />

between dream and reality: ˝c’était pourtant vrai, il se<br />

trouvait au chateau de Lourps.˝ 406<br />

Following his dream Jacques had been awoken by<br />

the cry of his wife who thought she had heard someone on<br />

the stairs. Jacques goes to investigate, but finds nothing.<br />

His reaction to the search is described in the following<br />

words:<br />

Il s’énervait dans cette tension d’une<br />

recherche qui n’aboutissait point; la<br />

lamentable solitude de ces chambres le<br />

poignait et, avec elle, une peur inattendue,<br />

atroce, la peur non d’un danger connu, sûr,<br />

car il sentait que cette transe s’évanouirait<br />

devant un homme qu’il trouverait tapi dans<br />

un coin, là, mais une peur de l’inconnu, une<br />

terreur de nerfs exaspérés par des bruits<br />

inquiétants dans un désert noir. 407<br />

The ˝danger˝ here is not simply that of a possible intruder;<br />

the ˝désert noir˝ suggests the unconscious, which Jacques<br />

both fears and desires to explore. The search through the

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