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Christa Giles

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145<br />

The manifestation of an unconscious life in dreams<br />

was of such great interest to Huysmans that he devoted an<br />

entire novel, En rade, to the subject. His interpretation of<br />

Redon in L’Art Moderne and A rebours foreshadowed the<br />

appearance of En rade, as did his interest in psychology.<br />

Further, the decadent assertion of the supremacy of the<br />

imagination served to blur the line between reality and<br />

illusion, life and art, so that the two occasionally<br />

interpenetrate. In En rade, it is what is symbolic (such as the<br />

uncontrolled natural world) that becomes concretized on a<br />

different plane in the central character Jacques’ dream life.<br />

As Freud was to articulate, dreams accommodate<br />

abstractions, transferring ideas or thoughts into concrete<br />

visual terms, which are difficult but possible to decipher –<br />

often possessing a multiplicity of meanings. Thus the very<br />

title of the novel En rade suggests several possible<br />

interpretations For instance, ˝une rade˝ means the part of<br />

the ocean isolated by the curve of the shore – a kind of<br />

harbour (as opposed to a port) offering the opportunity to<br />

drift or exist in a state of limbo. ˝Etre en rade˝ also signifies<br />

to be trapped, or blocked. And finally, the most common<br />

meaning, which is of course road or roadstead. The title of<br />

the novel, then, manages to encapsulate this necessity of<br />

translation, and yet forces us to recognise that there is no

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