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The history of the popes, from the close of the middle ages : drawn ...

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422<br />

HISTORY OF THE POPES.<br />

acter. In so doing Panvinio worked with a skill that v/aS<br />

worthy <strong>of</strong> a better cause. For example, <strong>the</strong> genealogical<br />

tree <strong>of</strong> Pius IV., which had been shown to take its roots in <strong>the</strong><br />

soil <strong>of</strong> Florence, is not suppressed, but is depreciated by <strong>the</strong><br />

remark that o<strong>the</strong>r families as well boasted <strong>of</strong> a similar origin<br />

and parentage. When he speaks <strong>of</strong> <strong>the</strong> fa<strong>the</strong>r <strong>of</strong> <strong>the</strong> Pope,<br />

he makes <strong>the</strong> depreciatory remark that he rose to famie bj''<br />

farming <strong>the</strong> taxes. <strong>The</strong> story <strong>of</strong> <strong>the</strong> wonderful light that<br />

shone round <strong>the</strong> cradle <strong>of</strong> Pius IV. is omitted. Moreover,<br />

certain ra<strong>the</strong>r severe remarks about Paul IV., who had been<br />

very much esteem.ed by Pius V., are excised. In <strong>the</strong> same<br />

way <strong>the</strong> account <strong>of</strong> <strong>the</strong> relations between Cardinal Medici<br />

and Paul IV. are remodelled. Nor is <strong>the</strong> most important<br />

change effected by Panvinio his substantial transformation<br />

<strong>of</strong> his treatmient <strong>of</strong> <strong>the</strong> trial and fall <strong>of</strong> <strong>the</strong> Carafa in <strong>the</strong> third<br />

edition, which is no longer, as it was in <strong>the</strong> second, favourable<br />

to Pius IV., but has now in conformity to <strong>the</strong> current popular<br />

view, become much m.ore unfavourable to him ;<br />

much more<br />

radical, however, are <strong>the</strong> changes which he makes in his<br />

description <strong>of</strong> <strong>the</strong> character <strong>of</strong> Pius IV., whose goodness <strong>of</strong><br />

heart Panvinio had brought out very strongly in <strong>the</strong> second<br />

edition. None <strong>of</strong> this it is true, is retracted, but by means<br />

<strong>of</strong> spiteful additions, Pius IV. is made to appear in quite a<br />

different light. For example, before his election he was<br />

looked upon as a good-natured man, but afterwards he proved<br />

himself to be very different, and <strong>from</strong> being a man <strong>of</strong> honest<br />

and open character, he suddenly became deceitful and spiteful.<br />

Hi<strong>the</strong>rto in this mixture <strong>of</strong> praise and blame, people saw an<br />

argument for <strong>the</strong> impartiality <strong>of</strong> Panvinio, and a judicious<br />

distribution <strong>of</strong> light and shade, but since Susta discovered<br />

<strong>the</strong> genesis <strong>of</strong> <strong>the</strong>se various biographical efforts <strong>of</strong> Panvinio<br />

such a view has become quite untenable. An author who,<br />

in <strong>the</strong> course <strong>of</strong> six years, on account <strong>of</strong> his susceptibility<br />

to external influences, changes so completely, and three<br />

separate times, his characterization <strong>of</strong> <strong>the</strong> same person cannot<br />

be considered as a reliable witness as to Pius IV. If for<br />

so long a time <strong>the</strong> last description <strong>of</strong> Pius IV. given by<br />

Panvinio passed for an impartial estimate, its origin shows<br />

it to have been an unbalanced combination <strong>of</strong> an <strong>of</strong>ficially<br />

inspired panegyric with a depreciation <strong>of</strong> <strong>the</strong> person in ques-<br />

tion, which only came into being when public opinion in<br />

Rome had changed.

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