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AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...

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MISCELLANEOUS STATUTORY ITEMS<br />

CODE OF CONDUCT<br />

The Code <strong>of</strong> Conduct for the Art<br />

Gallery <strong>of</strong> NSW covers the areas <strong>of</strong>:<br />

• Conflict <strong>of</strong> interest<br />

• Acceptance <strong>of</strong> gifts or benefits<br />

• Personal and pr<strong>of</strong>essional<br />

behaviour<br />

• Fairness and equity<br />

• Public comment and use <strong>of</strong> <strong>of</strong>ficial<br />

information<br />

• Use <strong>of</strong> <strong>of</strong>ficial facilities and<br />

equipment<br />

• Outside employment<br />

• Political participation<br />

• Gallery collections<br />

It is planned to review the Code <strong>of</strong><br />

Conduct during 2<strong>00</strong>0–2<strong>00</strong>1.<br />

COPYRIGHT<br />

The Gallery handles numerous<br />

images every year that are<br />

reproduced in exhibition catalogues,<br />

education kits, promotional material<br />

and shop merchandise. Developing<br />

more <strong>of</strong> our exhibitions in-house has<br />

also brought increasing<br />

responsibilities for ensuring copyright<br />

clearance. The use <strong>of</strong> the Internet<br />

and electronic delivery <strong>of</strong> services<br />

pose further challenges on copyright<br />

issues that will need to be addressed.<br />

Proposed legislative changes to<br />

copyright law will impact on the<br />

70<br />

Gallery's plans to interface our main<br />

research database to our website.<br />

The Gallery has accordingly made a<br />

submission to the Federal<br />

Government's Standing Committee on<br />

Legal and Constitutional Affairs that<br />

is considering amendments to the<br />

Copyright Act (Digital Agenda Bill,<br />

1999).<br />

ENERGY MANAGEMENT<br />

Energy management included the use<br />

<strong>of</strong> environmentally friendly refrigerant<br />

gases in the major air-conditioning<br />

upgrade to reduce greenhouse gas<br />

emissions. Modified programs for<br />

building management control system<br />

were introduced to reduce electrical<br />

consumption, through increased<br />

rates for electrical supply have<br />

negated cost savings. Constant<br />

monitoring and maintenance tuning<br />

to gas fired boilers have kept gas<br />

consumption to projected levels,<br />

maintaining contracted usage with no<br />

additional charges.<br />

FREEDOM OF INFORMATION<br />

The Art Gallery received one formal<br />

request for information under the<br />

Freedom <strong>of</strong> Information Act 1989.<br />

The request was granted in <strong>full</strong>.<br />

Full Freedom on Information<br />

Statement included as Appendix Q.<br />

GST IMPLEMENTATION<br />

Preparation for GST implementation<br />

involved training <strong>of</strong> staff and upgrade<br />

to systems to enable a smooth cutover<br />

on 1 July. All registrations for<br />

GST and related tax reforms were<br />

undertaken on behalf <strong>of</strong> Gallery<br />

entities. The Art Gallery will submit its<br />

Business Activity Statement<br />

electronically on a monthly basis.<br />

OCCUPATIONAL HEALTH & SAFETY<br />

No. <strong>of</strong> work related injuries: 9<br />

No. <strong>of</strong> work related illnesses: 0<br />

Prosecutions under the<br />

OH&S Act, 1983: Nil<br />

PRIVACY MANAGEMENT PLAN AND<br />

PERSONAL INFORMATION<br />

The Art Gallery has developed a<br />

Privacy Management Plan in<br />

response to Section 33 <strong>of</strong> the Privacy<br />

and Personal Information Protection<br />

Act, 1998. The Act aims to protect<br />

individual against the inappropriate<br />

collection, storage, use and<br />

disclosure <strong>of</strong> personal information by<br />

NSW Public Sector Agencies. The<br />

Plan outlines how the Art Gallery<br />

complies with the Act.<br />

For information on the Plan, contact<br />

the Privacy Contact Officer, Human<br />

Resources Services, Art Gallery <strong>of</strong><br />

<strong>New</strong> <strong>South</strong> <strong>Wales</strong>, Art Gallery Road,<br />

The Domain, Sydney, NSW 2<strong>00</strong>0 or<br />

telephone (02) 9225-1795 or fax (02)<br />

9221-6226.<br />

USE OF CONSULTANTS<br />

In the past financial year, the Gallery<br />

spend $98,<strong>00</strong>0 on consultants. No<br />

consultancy firm was paid more than<br />

$30,<strong>00</strong>0.<br />

WASTE REDUCTION<br />

The Art Gallery has taken measures<br />

over recent years to increase<br />

recycling and reduce waste. Paper<br />

recycling baskets are situated in<br />

every department. Recycled paper is<br />

purchased for use in <strong>of</strong>fice machines<br />

and staff are encouraged to<br />

communicate electronically<br />

whenever possible. The bookshop<br />

and library re-use cardboard boxes<br />

for packaging. All glass materials are<br />

recycled.<br />

YEAR 2<strong>00</strong>0 COMPLIANCE<br />

Year 2<strong>00</strong>0 compliance was a major<br />

activity in the first half <strong>of</strong> the financial<br />

year. The PABX and Gallery security<br />

systems had to be upgraded. As it<br />

turned out, the Art Gallery's activities<br />

were unaffected.<br />

IMPLEMENTATION OF ROYAL COMMISSION INTO<br />

ABORIGINAL DEATHS IN CUSTODY<br />

Recommendation number 56 & 3<strong>00</strong><br />

The Art Gallery <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong><br />

projects that introduce Aboriginal<br />

and Torres Strait Islanders and others<br />

to the history and culture <strong>of</strong> Indigenous<br />

peoples <strong>of</strong> Australia included:<br />

The continued acquisition,<br />

exhibition, conservation <strong>of</strong> Aboriginal<br />

art and commitment to making the<br />

collection accessible to the widest<br />

possible audience.<br />

The growth <strong>of</strong> exhibitions<br />

programmes and public programmes<br />

associated with the Yiribana Gallery,<br />

the largest space for the display <strong>of</strong><br />

Aboriginal art in the southern<br />

hemisphere.<br />

During the year there were<br />

exhibitions in Yiribana curated form<br />

the Gallery’s collection reflecting the<br />

diversity <strong>of</strong> Aboriginal and Torres<br />

Strait Islander art. Major thematic<br />

exhibitions were Another Country<br />

which pr<strong>of</strong>iled works on paper and<br />

photography and Ochre an exhibition<br />

<strong>of</strong> bark paintings.<br />

The touring exhibition from the<br />

National Gallery <strong>of</strong> Victoria Raiki<br />

Wara: Long cloth from Aboriginal<br />

Australia and the Torres Strait<br />

curated by Robin Healey and Judith<br />

Ryan was also held in Yiribana.<br />

For the fourth consecutive year<br />

the Art Gallery in conjunction with<br />

the Department <strong>of</strong> School Education,<br />

the Aboriginal Education Consultative<br />

Group and the Board <strong>of</strong> Studies<br />

staged the successful Reconciliation<br />

exhibition. This exhibition featured<br />

artworks by Aboriginal and non-<br />

Aboriginal students from primary and<br />

secondary schools throughout <strong>New</strong><br />

<strong>South</strong> <strong>Wales</strong> on the theme <strong>of</strong><br />

Reconciliation.<br />

NAIDOC Week in July 1999 was<br />

celebrated by a programme <strong>of</strong> school<br />

holiday activities held in Yiribana.<br />

Photographer Michael Riley’s Yarns<br />

from the Talbragar series <strong>of</strong> black<br />

and white portraits was exhibited as<br />

part <strong>of</strong> the NAIDOC Week activities.<br />

There was a continuing<br />

consolidation <strong>of</strong> links with<br />

Indigenous education institutions,<br />

courses in Aboriginal Studies and<br />

Aboriginal units and art courses at<br />

tertiary level.

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