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AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...

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WORKS OF ART LOANED<br />

TO THE GALLERY<br />

1999.32 Sidney Nolan<br />

Diver 1945<br />

oil, enamel on paperboard<br />

Anonymous loan<br />

L2<strong>00</strong>0.1 Anselm Kiefer<br />

Wege Der Weltweisheit: Die<br />

Hermann Schlacht 1978<br />

mixed media (woodblock print,<br />

synthetic polymer paint, varnish)<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.3 Francis Bacon<br />

Study for portrait with bird 1980<br />

oil on canvas<br />

Private Collection, Sydney<br />

L2<strong>00</strong>0.4 Patricia Piccinini<br />

Psychogeography 1996<br />

type C photograph from Digiprint<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.5 Cindy Sherman<br />

Untitled 1999 1999<br />

gelatin silver photograph<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.6 Mat Collishaw<br />

Ideal Boys ‘Francesso & Gennaro’<br />

1997<br />

Colour photograph on dibond<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.7 Mat Collishaw<br />

Ideal Boys ‘John Luca & Paco’ 1997<br />

Colour photograph on dibond<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.8 Paul Smith<br />

Make my night 1998<br />

RA4 colour photograph, aluminium<br />

mounted<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.9 Paul Smith<br />

Make my night 1998<br />

RA4 colour photograph, aluminium<br />

mounted<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.10 Baron Wilhelm von Gloeden<br />

Youth with a headband, Naples<br />

circa 19<strong>00</strong><br />

albumen photograph<br />

Private collection, Sydney<br />

L2<strong>00</strong>0.11.a-b YOSHINORI<br />

PAIR OF STIRRUPS<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.12 PLAQUE<br />

19th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.13 TEA BOWL<br />

19th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.14 SATSUMA WARE BOWL<br />

19th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.15 EARTHENWARE<br />

Cup<br />

07<strong>00</strong>-0750<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.16 FIGURE OF A CAMEL<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1983<br />

L2<strong>00</strong>0.17.a-b SUKOTHAI WARE<br />

COVERED BOWL<br />

13th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.18.a-b SETO WARE TEA CADDY<br />

18th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.19.a-b SETO WARE TEA<br />

CADDY<br />

18th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.20.a-b SETO WARE TEA CADDY<br />

18th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.21 VASE<br />

circa 19th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.22 VASE OF HU SHAPE<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.23 BOX COVER<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.24 BOTTLE<br />

circa 14<strong>00</strong><br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.25.a-b COVERED BOWL<br />

14th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.26 ROOF ORNAMENT (IN THE<br />

FORM OF A NAGA HEAD)<br />

14th century<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.27.a-b TRIPOD CENSER AND<br />

COVER<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.28 CENSER<br />

On loan from the Museum <strong>of</strong> Applied<br />

Arts and Sciences 1987<br />

L2<strong>00</strong>0.29 Bill Henson<br />

Untitled 1997/2<strong>00</strong>0<br />

1997-2<strong>00</strong>0 {printed 2<strong>00</strong>0}<br />

type C photograph<br />

On loan from the collection <strong>of</strong> John<br />

Kiley and Eugene Silbert, Sydney<br />

L2<strong>00</strong>0.30 Hanuman circa 12th century<br />

copper alloy with traces <strong>of</strong> vermilion<br />

(‘kum-kum’) powder applied during<br />

worship<br />

Anonymous loan 2<strong>00</strong>0<br />

L2<strong>00</strong>0.31 Jean Bellette<br />

Greek girl<br />

oil on canvas<br />

Private collection loan<br />

L2<strong>00</strong>0.32 Margaret Olley<br />

Portrait in the mirror 1948<br />

oil on hardboard<br />

Private collection loan<br />

WORKS OF ART LOANED<br />

BY THE GALLERY<br />

LAWRENCE WILSON ART GALLERY<br />

Drysdale<br />

13/8/99 – 19/9/99 Russell Drysdale<br />

Crucifixion 1946<br />

oil on plywood<br />

OA1.1963 Russell Drysdale<br />

Road to the Black Mountains<br />

circa 1952<br />

oil on canvas<br />

8679 Russell Drysdale<br />

Kimberley landscape 1961<br />

pencil, pen and black ink<br />

132.1996 Russell Drysdale<br />

Working drawing for ‘Home town’<br />

(1941)<br />

pencil, squared<br />

LOANS<br />

11.1972 Russell Drysdale<br />

Study for ‘Home town’ (1943)<br />

pencil and black ink, watercolour<br />

278.1990<br />

SARJEANT GALLERY/ TE WHARE O<br />

RHUA<br />

Edith Collier and her circle<br />

July 1999 – May 2<strong>00</strong>0<br />

Sarjeant Gallery 14/8/99 – 10/10/99<br />

Auckland City Art Gallery 18/12/99 –<br />

13/2/<strong>00</strong><br />

Dowse Art Museum 4/3/<strong>00</strong> – 30/4/<strong>00</strong><br />

Margaret Preston<br />

(Still life with teapot and daisies)<br />

circa 1915<br />

oil on hardboard<br />

192.1977<br />

Margaret Preston<br />

(Millpond, Bilbury) circa 1916<br />

s<strong>of</strong>tground etching<br />

DA53.1963<br />

S.H. ERVIN GALLERY<br />

Love magic: Erotics, politics and<br />

Indigenous Art<br />

21/8/99 – 3/10/99<br />

Samuel Wagbara<br />

Three Mimi Spirit Figures Dancing<br />

circa 1964<br />

natural pigments on eucalyptus bark<br />

P2.1964<br />

MUSEO DE ARTE<br />

CONTEMPORÁNEO, MEXICO<br />

Imants Tillers<br />

24/9/99 – 1/1/2<strong>00</strong>0<br />

Imants Tillers<br />

Conversations with bride 1974 – 1975<br />

gouache, synthetic polymer paint,<br />

paper on aluminium [112 paintings],<br />

112 aluminium tripods, 7 type C<br />

colour photographs<br />

235.1976.1, 235.1976.2 a-g<br />

Imants Tillers<br />

52 displacements 1979 – 1980<br />

gouache on canvas (six paintings),<br />

text (six framed panels)<br />

16.1980.a-l<br />

Imants Tillers<br />

Two paintings, hidden from view<br />

1981–1982<br />

diptych: synthetic polymer paint on<br />

canvas<br />

122.1984.a-b<br />

HISTORIC HOUSES TRUST OF<br />

NEW SOUTH WALES,<br />

MUSEUM OF SYDNEY<br />

Bamaradbanga<br />

18/9/99 – 5/12/99<br />

Karen Casey<br />

Gateway 1994<br />

oil and mixed media on linen<br />

57

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