AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...
AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...
AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...
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SUZUKI Sho - nen (Japan,<br />
b.1849,d.1918), Pine trees, Meiji<br />
period 1868 – 1912 pair <strong>of</strong> six-fold<br />
screens; ink on gilded paper.<br />
Purchased 2<strong>00</strong>0<br />
Unknown (Japan), The Plain <strong>of</strong><br />
Musashi, Edo (Tokugawa) period<br />
1615 – 1868, late 17th century – 18th<br />
century pair <strong>of</strong> six fold screens; ink,<br />
colour and gold on paper.<br />
Art Gallery <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong><br />
Foundation Purchase 2<strong>00</strong>0<br />
Various (Japan), Shi-to Hanga,<br />
Taisho - period 1912 – 1926, 1 May 1925<br />
bound book; 20 leaves, 1 woodcut,<br />
1 etching and 6 prints.<br />
Yasuko Myer Bequest Fund 2<strong>00</strong>0<br />
GIFTS<br />
AUSTRALIAN ART<br />
ANONYMOUS GIFT<br />
Andrew Rogers (Australia), Flora<br />
Exemplar, 1999 bronze<br />
JEAN CAMERON GORDON BEQUEST<br />
IN MEMORY OF HER MOTHER MARY<br />
GORDON<br />
Clarice Beckett (Australia,<br />
b.1887,d.1935), Beaumaris foreshore,<br />
circa 1926 oil on canvas on<br />
paperboard<br />
FRED CRESS<br />
Fred Cress (Australia, b.1938), 16<br />
drawings from the Bag series, 1987:<br />
Bag 1, 1987 charcoal; Bag 2, 1987<br />
charcoal; Bag 3, 1987 charcoal;<br />
Bag 4, 1987 charcoal; Bag 5, 1987<br />
charcoal; Bag 6, 1987 charcoal;<br />
Bag 7, 1987 charcoal; Bag 8, 1987<br />
charcoal; Bag 9, 1987 charcoal,<br />
Bag 10, 1987 charcoal; Bag 11, 1987<br />
charcoal, collage; Bag 12, 1987<br />
charcoal; Bag 13, 1987 charcoal;<br />
Bag 14, 1987 charcoal; Bag 15, 1987<br />
charcoal; Bag 16, 1987 charcoal<br />
VESTA DAVIES<br />
Livingston Hopkins (Australia,<br />
b.1846,d.1927), A catgut trio, circa<br />
1904 pen and black ink<br />
SIR WILLIAM DOBELL ART<br />
FOUNDATION<br />
Nick Mourtzakis (Australia, b.1950),<br />
Untitled study, 1999 conté, white<br />
chalk on two sheets <strong>of</strong> brown<br />
dressmakers paper<br />
52<br />
NEPAL<br />
Birth <strong>of</strong> the Buddha, 14th century –<br />
16th century carved wooden temple<br />
strut with traces <strong>of</strong> pigment.<br />
D G Wilson Bequest Fund 2<strong>00</strong>0<br />
GWEN FROLICH<br />
Charles Blackman (Australia, b.1928),<br />
(Girl descending stairs from railway<br />
bridge), circa 1953-circa 1954<br />
charcoal on thin cream wove paper<br />
ROSALIE GASCOIGNE<br />
Rosalie Gascoigne (<strong>New</strong> Zealand;<br />
Australia, b.1917,d.1999), Metropolis,<br />
1999 retro-reflective road signs<br />
NORA HEYSEN<br />
Nora Heysen (Australia, b.1911), Self<br />
portrait 1926 pencil on white paper<br />
Nora Heysen (Australia, b.1911),<br />
Sketchbook, <strong>New</strong> Guinea, 1950s<br />
sketchbook: 32 bound leaves, 2 loose<br />
leaves, 21 drawings on 22 pages,<br />
mixed media on cream wove paper<br />
Nora Heysen (Australia, b.1911), 32<br />
drawings from the sketchbook<br />
Remains <strong>of</strong> sketchbook, <strong>New</strong> Guinea,<br />
1950s: Onge, 1950s pen and brown<br />
ink on cream wove paper;<br />
Isaac Tosika, 1950s sanguine and<br />
brown conté on cream wove paper;<br />
recto: Timothy; verso: Batsun<br />
(Pattson), 1950s recto: sanguine and<br />
black conté on cream wove paper;<br />
verso: pen and red/brown ink on<br />
cream wove paper; recto: Dick Hou<br />
(Dala); verso: Sepo (Simon), 1950s<br />
recto: sanguine on cream wove<br />
paper; verso: pen and red/brown ink<br />
on cream wove paper; (Partial study<br />
<strong>of</strong> female native carrying a basket on<br />
her head), 1950s sanguine on cream<br />
wove paper; Namoi, 1950s sanguine,<br />
pen and brown ink, black conté on<br />
THAILAND<br />
Peninsular Thai, Standing<br />
Avalokiteshvara, Srivijaya period<br />
7<strong>00</strong> – 12<strong>00</strong>, 9th century copper alloy.<br />
D G Wilson Bequest Fund 2<strong>00</strong>0<br />
cream wove paper; Namoi, 1950s pen<br />
and brown ink on cream wove paper;<br />
recto: Delousing - Nester and Namoi;<br />
verso: Gwakena, 1950s recto: pen<br />
and red/brown ink on cream wove<br />
paper; verso: pen and red/brown ink<br />
on cream wove paper; Larman, 1950s<br />
sanguine on cream wove paper;<br />
Waitai, 1950s sanguine on cream<br />
wove paper; recto: Waita; verso:<br />
Billy, 1950s recto: sanguine on cream<br />
wove paper; verso: sanguine on<br />
cream wove paper; Nickolas, 1950s<br />
sanguine and black conté on cream<br />
wove paper; Fakari, 1950s sanguine<br />
on cream wove paper; Joel Gesiia,<br />
1950s sanguine and black conté on<br />
cream wove paper; recto: George<br />
Malefoasi; verso: Allen, 1950s recto:<br />
pen and red/brown ink on cream<br />
wove paper; verso: pen and<br />
red/brown ink on cream wove paper;<br />
recto: Jack; verso: Gegame, 1950s<br />
recto: pen and red/brown ink on<br />
cream wove paper; verso: pen and<br />
red/brown ink on cream wove paper;<br />
recto: Gegame; verso: Rosemary,<br />
1950s recto: pen and red/brown ink<br />
on cream wove paper; verso: pen<br />
and red/brown ink on cream wove<br />
paper; recto: (Seated male native);<br />
verso: (Study <strong>of</strong> eyes), 1950s recto:<br />
pen and red/brown ink on cream<br />
wove paper; verso: pen and<br />
red/brown ink on cream wove paper;<br />
recto: Malee; verso: (Study <strong>of</strong><br />
bending male and female natives),<br />
1950s recto: pen and red/brown ink<br />
TIBET<br />
<strong>South</strong>ern Tibet, Set <strong>of</strong> eighteen<br />
<strong>of</strong>fering goddesses, 19th century<br />
gouache on cotton.<br />
Purchased 2<strong>00</strong>0<br />
on cream wove paper; verso: pen<br />
and red/brown ink on cream wove<br />
paper; recto: (Study <strong>of</strong> female<br />
native); verso: (Study <strong>of</strong> mother<br />
nursing a child), 1950s recto: pen and<br />
red/brown ink on cream wove paper;<br />
verso: pen and red/brown ink on<br />
cream wove paper; recto: (Crying<br />
child); verso: (Study <strong>of</strong> natives<br />
fishing with a net, from a boat); 1950s<br />
recto: pen and brown ink on cream<br />
wove paper; verso: pen and<br />
red/brown ink on cream wove paper;<br />
Lily, 1950s pen and brown ink on<br />
cream wove paper; recto: (Sleeping<br />
native child); verso: (Head study);<br />
1950s recto: pen and red/brown, grey<br />
ink on cream wove paper; verso: pen<br />
and red/brown ink on cream wove<br />
paper; recto: (Standing native child,<br />
rear view); verso: (Bending native<br />
figures), 1950s recto: pen and<br />
red/brown ink on cream wove paper;<br />
verso: pen and red/brown ink on<br />
cream wove paper; recto: (Bending<br />
native figures); verso: (Child study),<br />
1950s recto: pen and brown ink on<br />
cream wove paper; verso: pen and<br />
red/brown ink on cream wove paper;<br />
recto: Little Namoi; verso: (Study <strong>of</strong><br />
three bending natives, one a female<br />
smoking a pipe), 1950s recto: pen and<br />
red/brown ink on cream wove paper;<br />
verso: pen and red/brown ink on<br />
cream wove paper; recto: Teop;<br />
verso: Tolocus, 1950s recto: pen and<br />
brown ink on cream wove paper;<br />
verso: pen and red/brown ink on