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AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...

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APPENDICES<br />

PURCHASES<br />

AUSTRALIAN ART<br />

Nicholas Chevalier (United Kingdom;<br />

Australia; <strong>New</strong> Zealand, b.1828,<br />

d.1902), The Ovens Valley, Victoria,<br />

1893 oil on canvas. Jean Cameron<br />

Gordon Bequest Fund in memory <strong>of</strong><br />

her mother Mary Gordon 1999<br />

Charles Conder (Australia;England,<br />

b.1868,d.1909), Invitation-card for Mr<br />

and Mrs Edmund Davies, (1904)<br />

lithograph, black ink on thick cream<br />

laid paper<br />

Charles Conder (Australia;England,<br />

b.1868,d.1909), A Spanish courtyard,<br />

1904 lithograph, sanguine ink with<br />

red chalk additions on cream wove<br />

paper<br />

Charles Conder (Australia;England,<br />

b.1868,d.1909), The leaning tree, 1899<br />

lithograph, sanguine ink on thin<br />

cream wove paper.<br />

Purchased with funds provided by<br />

the Australian Collection<br />

Benefactors’ Scheme 1999<br />

Janet Dawson (Australia, b.1935),<br />

Scribble rock pomegranates<br />

(diptych), 1999 diptych: pastel on<br />

paper. Purchased with funds<br />

provided by the Arthur Boyd<br />

Acquisition Fund 1999<br />

Ian Fairweather (United<br />

Kingdom;Australia, b.1891,d.1974),<br />

The pool, 1959 synthetic polymer<br />

paint on cardboard on hardboard.<br />

Purchased with funds provided by<br />

the Cézanne Dinner Fund 1999<br />

Arthur Fleischmann (Australia,<br />

b.1896,d.1990), Shivaran Indian<br />

dancer, 1952 (cast early 1990s)<br />

bronze. Purchased with funds<br />

provided by the 1<strong>00</strong>0 Club 2<strong>00</strong>0<br />

Anne Judell (Australia, b.1942),<br />

Mute, 1999 black and white pastel on<br />

black paper. Purchased with funds<br />

provided by the 1<strong>00</strong>0 Club 2<strong>00</strong>0<br />

George W. Lambert (Australia,<br />

b.1873,d.1930), She would remind<br />

him, 1902 watercolour, opaque with<br />

white highlights. Purchased with<br />

funds provided by the Australian<br />

Collection Benefactors’ Scheme 1999<br />

Bruno Leti (Australia, b.1941),<br />

Nowhere is everywhere by now,<br />

1996-1997 monotype: hand coloured.<br />

Purchased with funds provided by the<br />

Arthur Boyd Acquisition Fund 2<strong>00</strong>0<br />

Bea Maddock (Australia, b.1934),<br />

Forty pages from Antarctica, 1988<br />

boxed set <strong>of</strong> 40 etchings on 21 sheets<br />

and title page (letterpress).<br />

D G Wilson Bequest Fund 2<strong>00</strong>0<br />

John D. Moore (Australia,<br />

b.1888,d.1958), Study <strong>of</strong> clouds, 1933<br />

pencil, watercolour. Purchased with<br />

50<br />

funds provided by the Australian<br />

Collection Benefactors’ Scheme 1999<br />

Sidney Nolan (Australia;United<br />

Kingdom, b.1917,d.1992), Carcass,<br />

early 1950s (printed 1975-1985)<br />

gelatin silver photograph. Purchased<br />

1999<br />

John Olsen (Australia, b.1928), Five<br />

bells, 1963 oil on hardboard.<br />

Purchased with funds provided by<br />

the Art Gallery Society <strong>of</strong> <strong>New</strong> <strong>South</strong><br />

<strong>Wales</strong> 1999<br />

John Olsen (Australia, b.1928),<br />

Flathead and fish, 1999 charcoal,<br />

pastel on white wove paper.<br />

Purchased 2<strong>00</strong>0<br />

Gladys Owen (Australia,<br />

b.1889,d.1960), Kurrajong country,<br />

wood engraving, black ink on thin<br />

cream laid paper. Purchased with<br />

funds provided by the Australian<br />

Collection Benefactors’ Scheme 1999<br />

Jan Senbergs (Australia, b.1939), In<br />

the studio, 1998 artist’s book<br />

containing two lithographs and three<br />

screenprints. Purchased with funds<br />

provided by the Arthur Boyd<br />

Acquisition Fund 1999<br />

Aida Tomescu (Romania;Australia,<br />

b.1955), Patru II, 1999 oil on canvas.<br />

D G Wilson Bequest Fund 2<strong>00</strong>0<br />

Jessie Traill (Australia,<br />

b.1881,d.1967), Charing Cross Bridge,<br />

1907-1908 etching with foul bite and<br />

plate tone, brown ink on cream wove<br />

paper. Purchased with funds<br />

provided by the Australian Collection<br />

Benefactors’ Scheme 1999<br />

Fred Williams (Australia,<br />

b.1927,d.1982), My garden, 1965-1967<br />

oil on canvas. Purchased with funds<br />

provided by the Art Gallery Society <strong>of</strong><br />

<strong>New</strong> <strong>South</strong> <strong>Wales</strong> 1999<br />

Salvatore Z<strong>of</strong>rea (Australia, b.1946),<br />

12 prints from the portfolio Days <strong>of</strong><br />

heaven, 1984:<br />

January, 1984 etching; February, 1984<br />

etching; March, 1984 etching; April,<br />

1984 etching; May, 1984 etching;<br />

June, 1984 etching; July, 1984<br />

etching; August, 1984 etching;<br />

September, 1984 etching; October,<br />

1984 etching; November, 1984<br />

etching; December, 1984 etching.<br />

Marshall Bequest Fund 2<strong>00</strong>0<br />

ABORIGINAL AND TORRES<br />

STRAIT ISLANDER<br />

Pinau Ghee (Australia), Dari, 1999<br />

feathers, cane, cotton, shell and<br />

paint. Mollie Gowing Acquisition<br />

Fund for Contemporary Aboriginal Art<br />

1999<br />

Narritjin Maymuru (Australia,<br />

b.1922,d.1982), Djert (The sea eagle),<br />

circa 1958 natural pigments on bark.<br />

Purchased 1999<br />

Inyuwa Nampitjinpa (Australia,<br />

b.circa 1935,d.1999), Untitled<br />

(Pukunya), 1999 synthetic polymer<br />

paint on linen. Purchased with funds<br />

provided by the Leo Christie<br />

Emerging Artists fund 1999<br />

Kutuwalumi Purawarrumpatu<br />

(Australia, b.circa 1928), Untitled,<br />

1999 etching on cream laid paper.<br />

Kutuwalumi Purawarrumpatu<br />

(Australia, b.circa 1928), Untitled,<br />

1999 aquatint on cream laid paper.<br />

D G Wilson Bequest Fund 2<strong>00</strong>0<br />

Rover Thomas (Australia,<br />

b.1926,d.1998), Two men dreaming,<br />

circa 1985 natural pigments on<br />

canvas board. Purchased 2<strong>00</strong>0<br />

Ray James Tjangala (Australia,<br />

b.circa 1958), Untitled (Site <strong>of</strong><br />

Yunala), 1999 synthetic polymer paint<br />

on linen canvas. Mollie Gowing<br />

Acquisition Fund for Contemporary<br />

Aboriginal Art 2<strong>00</strong>0<br />

Uta Uta Tjangala (Australia, b.circa<br />

1926,d.1990), Untitled, 1972 synthetic<br />

polymer powder paint and natural<br />

earth pigments on hardboard.<br />

Purchased 1999<br />

Joseph Tjapaltjarri (Australia,<br />

b.circa 1952), Untitled, 1999 synthetic<br />

polymer paint on canvas. Don<br />

Mitchell Bequest 2<strong>00</strong>0<br />

Tim Tjapangarti Payungka (Australia,<br />

b.circa 1942,d.2<strong>00</strong>0), Untitled (red),<br />

1998 synthetic polymer paint on linen<br />

canvas. Mollie Gowing Acquisition<br />

Fund for Contemporary Aboriginal Art<br />

2<strong>00</strong>0<br />

Patrick Tjungarrayi (Australia,<br />

b.circa 1935), Untitled (Two goanna<br />

ancestors), 1999 synthetic polymer<br />

paint on linen canvas. Mollie Gowing<br />

Acquisition Fund for Contemporary<br />

Aboriginal Art 2<strong>00</strong>0<br />

Freda Warlapinni (Australia, b.circa<br />

1928), Untitled, 1999 etching.<br />

Freda Warlapinni (Australia, b.circa<br />

1928), Untitled, 1999 etching on<br />

cream laid paper.<br />

D G Wilson Bequest Fund 2<strong>00</strong>0<br />

Freda Warlapinni (Australia, b.circa<br />

1928), Untitled, 1999 natural pigments<br />

on linen canvas. Purchased with<br />

funds provided by the Art Gallery<br />

Society’s Friends <strong>of</strong> Yiribana 2<strong>00</strong>0<br />

Pedro Wonaeamirri (Australia,<br />

b.1974), Tutini with figure <strong>of</strong><br />

Purukupali (Pukamani grave post),<br />

1999 ironwood, natural pigments,<br />

feathers, beeswax<br />

Pedro Wonaeamirri (Australia,<br />

b.1974), Tutini (Pukamani grave post),<br />

1999 ironwood, natural pigments<br />

Pedro Wonaeamirri (Australia,<br />

b.1974), Tutini (Pukamani grave post),<br />

1999 ironwood, natural pigments<br />

Pedro Wonaeamirri (Australia,<br />

b.1974), Tutini (Pukamani grave post),<br />

1999 ironwood, natural pigments<br />

Pedro Wonaeamirri (Australia,<br />

b.1974), Tutini (Pukamani grave post),<br />

1999 ironwood, natural pigments<br />

Pedro Wonaeamirri (Australia,<br />

b.1974), Tutini (Pukamani grave post),<br />

1999 ironwood, natural pigments<br />

Mollie Gowing Acquisition Fund for<br />

Contemporary Aboriginal Art 1999<br />

Owen Yalandja (Australia, b.1960),<br />

Yawk Yawk, 1999 natural pigments on<br />

Kurrajong.<br />

Owen Yalandja (Australia, b.1960),<br />

Yawk Yawk, 1999 natural pigments on<br />

Kurrajong. Mollie Gowing Acquisition<br />

Fund for Contemporary Aboriginal Art<br />

2<strong>00</strong>0<br />

INTERNATIONAL ART<br />

EUROPEAN ART BEFORE 19<strong>00</strong><br />

Pierre Bonnard (France,<br />

b.1867,d.1947), La baignoire,<br />

1942-1946 colour lithograph.<br />

Purchased 1999<br />

George Romney (England,<br />

b.1734,d.1802), A study <strong>of</strong> two<br />

women: a sketch for the Milner<br />

Sisters, 1734-1802 pencil, pen and<br />

bistre wash. Parramore Purchase<br />

Fund 2<strong>00</strong>0<br />

MODERN AND<br />

CONTEMPORARY ART<br />

Peter Atkins (Australia, b.1963),<br />

Spanish Journal, 1998 20 panels;<br />

mixed media Purchased with funds<br />

provided by the Contemporary<br />

Collection Benefactors’ Program 2<strong>00</strong>0<br />

Marion Borgelt (Australia, b.1954),<br />

Void series Nos XI, XII, XIII, 1992<br />

triptych: pigment, oil, sand on linen.<br />

Purchased with funds provided by<br />

the Contemporary Collection<br />

Benefactors’ Program 1999<br />

Janet Burchill (Australia, b.1955),<br />

Chain <strong>of</strong> ponds ‘following the blind<br />

leading the blind’, 1997 synthetic<br />

polymer paint on canvas and<br />

synthetic polymer paint on wood.<br />

Purchased with funds provided by<br />

the Contemporary Collection<br />

Benefactors’ Program 1999<br />

Adam Cullen (Australia, b.1965), Lets<br />

Get Lost, 1999 synthetic polymer<br />

paint, ink and enamel on board<br />

Adam Cullen (Australia, b.1965),<br />

Australian Saints, 1999 synthetic

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