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AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...

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SUPPORT<br />

The Art Gallery enjoys tremendous support from<br />

individuals and organisations. Without their contributions,<br />

the collection and Art Gallery ventures would be very<br />

much the poorer. Sponsors’ backing for specific events<br />

and individual donors are listed in the appendices.<br />

The Art Gallery Society <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong> is the<br />

largest organisation <strong>of</strong> arts supporters in Australia with<br />

over 30,<strong>00</strong>0 members. This year, a record 85 percent<br />

renewed their membership.<br />

In 1999, the Society achieved its highest financial<br />

surplus to date, enabling it to fund the purchase <strong>of</strong> major<br />

works, including Five Bells by John Olsen, My Garden by<br />

Fred Williams and two early Indian sculptures.<br />

LOOK, the society’s monthly magazine continued to<br />

develop and published a special issue in April 2<strong>00</strong>0, with<br />

an extended print run, to assist in domestic and<br />

international promotion <strong>of</strong> the Art Gallery for the Sydney<br />

2<strong>00</strong>0 Olympic Arts Festival<br />

Voluntary work organised through the Society<br />

contributed substantially to the Art Gallery’s operations.<br />

The 136 volunteer guides led 30,<strong>00</strong>0 adults and 14,<strong>00</strong>0<br />

children through Art Gallery exhibitions, and 184<br />

members <strong>of</strong> the volunteer task force supplied more than<br />

19,<strong>00</strong>0 hours <strong>of</strong> labour.<br />

John Olsen, Five bells 1963<br />

oil on hardboard, 264.5 x 274.0cm.<br />

Purchased with funds provided by the<br />

Art Gallery Society <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong> 1999<br />

The Society’s Task Force also provides essential<br />

staffing on entry desks for all ticketed exhibitions.<br />

The principal objective <strong>of</strong> the Art Gallery<br />

Foundation is to raise funds for investment and apply the<br />

derived income to purchasing works <strong>of</strong> art for the Art<br />

Gallery. This year the Foundation had a net surplus <strong>of</strong><br />

$1.695 million (compared with $1.188 million the<br />

previous year), enabling it to commit funds for the Plain<br />

<strong>of</strong> Musashi Japanese screens and Rachael Whiteread’s<br />

Elongated Plinths.<br />

John and Julie Schaeffer were appointed Life<br />

Governors <strong>of</strong> the Foundation in October 1999 in<br />

recognition <strong>of</strong> their very generous support <strong>of</strong> the Art<br />

Gallery through the donation <strong>of</strong> a major work The<br />

Juggler by Alma Tadema and substantial finanical<br />

committment. Max Sandow and Michael Gleeson-White<br />

retired as deputy chairmen <strong>of</strong> the Foundation after many<br />

years’ valuable service.<br />

COMMERCIAL<br />

The Art Gallery venue hiring department achieved<br />

an increase <strong>of</strong> 22 percent gross revenue over the previous<br />

year, with an increase in net revenue to the Art Gallery <strong>of</strong><br />

44 percent, largely due to a significant growth in the<br />

number <strong>of</strong> corporate functions.<br />

19

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