AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...
AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...
AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...
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SUPPORT<br />
The Art Gallery enjoys tremendous support from<br />
individuals and organisations. Without their contributions,<br />
the collection and Art Gallery ventures would be very<br />
much the poorer. Sponsors’ backing for specific events<br />
and individual donors are listed in the appendices.<br />
The Art Gallery Society <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong> is the<br />
largest organisation <strong>of</strong> arts supporters in Australia with<br />
over 30,<strong>00</strong>0 members. This year, a record 85 percent<br />
renewed their membership.<br />
In 1999, the Society achieved its highest financial<br />
surplus to date, enabling it to fund the purchase <strong>of</strong> major<br />
works, including Five Bells by John Olsen, My Garden by<br />
Fred Williams and two early Indian sculptures.<br />
LOOK, the society’s monthly magazine continued to<br />
develop and published a special issue in April 2<strong>00</strong>0, with<br />
an extended print run, to assist in domestic and<br />
international promotion <strong>of</strong> the Art Gallery for the Sydney<br />
2<strong>00</strong>0 Olympic Arts Festival<br />
Voluntary work organised through the Society<br />
contributed substantially to the Art Gallery’s operations.<br />
The 136 volunteer guides led 30,<strong>00</strong>0 adults and 14,<strong>00</strong>0<br />
children through Art Gallery exhibitions, and 184<br />
members <strong>of</strong> the volunteer task force supplied more than<br />
19,<strong>00</strong>0 hours <strong>of</strong> labour.<br />
John Olsen, Five bells 1963<br />
oil on hardboard, 264.5 x 274.0cm.<br />
Purchased with funds provided by the<br />
Art Gallery Society <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong> 1999<br />
The Society’s Task Force also provides essential<br />
staffing on entry desks for all ticketed exhibitions.<br />
The principal objective <strong>of</strong> the Art Gallery<br />
Foundation is to raise funds for investment and apply the<br />
derived income to purchasing works <strong>of</strong> art for the Art<br />
Gallery. This year the Foundation had a net surplus <strong>of</strong><br />
$1.695 million (compared with $1.188 million the<br />
previous year), enabling it to commit funds for the Plain<br />
<strong>of</strong> Musashi Japanese screens and Rachael Whiteread’s<br />
Elongated Plinths.<br />
John and Julie Schaeffer were appointed Life<br />
Governors <strong>of</strong> the Foundation in October 1999 in<br />
recognition <strong>of</strong> their very generous support <strong>of</strong> the Art<br />
Gallery through the donation <strong>of</strong> a major work The<br />
Juggler by Alma Tadema and substantial finanical<br />
committment. Max Sandow and Michael Gleeson-White<br />
retired as deputy chairmen <strong>of</strong> the Foundation after many<br />
years’ valuable service.<br />
COMMERCIAL<br />
The Art Gallery venue hiring department achieved<br />
an increase <strong>of</strong> 22 percent gross revenue over the previous<br />
year, with an increase in net revenue to the Art Gallery <strong>of</strong><br />
44 percent, largely due to a significant growth in the<br />
number <strong>of</strong> corporate functions.<br />
19