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AGNSW_AnnRep_00 full.pdf - Parliament of New South Wales ...

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Adam Cullen<br />

Portrait <strong>of</strong> David Wenham<br />

acrylic on canvas, 153 x 182 cm<br />

Archibald, Wynne and Sulman Prize<br />

18 March – 7 May, 2<strong>00</strong>0 Yoko Ono and her work Ex it 1997, 1<strong>00</strong> c<strong>of</strong>fins, 1<strong>00</strong> trees<br />

as installed at the Art Gallery <strong>of</strong> <strong>New</strong> <strong>South</strong> <strong>Wales</strong> 2<strong>00</strong>0<br />

12th Biennale <strong>of</strong> Sydney 2<strong>00</strong>0 26 May – 30 July, 2<strong>00</strong>0<br />

Other important exhibitions produced by the<br />

department and accompanied by <strong>full</strong>y illustrated<br />

catalogues were Salvatore Z<strong>of</strong>rea Appassionata Woodcuts,<br />

sponsored by Deutsche Bank with a national tour<br />

organised by <strong>New</strong> England Regional Art Museum, and<br />

This vital flesh: the sculpture <strong>of</strong> Rayner H<strong>of</strong>f and his<br />

school. H<strong>of</strong>f was a leading sculptor during the Art Deco<br />

period in Sydney, where his most famous public commission<br />

is the sculpture for the Anzac Memorial in Hyde Park.<br />

The extremely well received Australian Collection Focus<br />

Series continued with sponsorship from ABN-AMRO<br />

Rothschild. They comprised Grace Cossington-Smith: The<br />

Lacquer Room 1935-36, George Baldessin: Occasional<br />

Images from a City Chamber 1975 and Les Sauvages de<br />

la Mer Pacifique, a collaborative venture with the National<br />

Gallery <strong>of</strong> Australia.<br />

The Archibald, Wynne and Sulman prize exhibitions<br />

continued to be sponsored by Colonial Bank. Betty<br />

Churcher, former director <strong>of</strong> the NGA, was judge <strong>of</strong> the<br />

Dobell Prize for Drawing, sponsored by the Sir William<br />

Dobell Foundation.<br />

A series <strong>of</strong> exhibitions at the Brett Whiteley Studio,<br />

organised with help from Wendy Whiteley, included Whiteley<br />

in Paris, Brett Whiteley Nudes and Whiteley in Words.<br />

14<br />

Aboriginal and Torres Strait Islander Art<br />

Yiribana Gallery continued its exhibition from the<br />

Aboriginal and Torres Strait Islander collection, a material<br />

thing. Michael Riley’s photographic portraits Yarns from<br />

the Talbragar Reserve were exhibited for NAIDOC Week.<br />

Raiki Wara: Long cloth from Aboriginal Australia and the<br />

Torres Strait gave a significant insight into a relatively<br />

new medium in indigenous art practice. Two more<br />

exhibitions from the Yiribana collection were curated<br />

primarily by media - Another Country: works on paper<br />

and photography from the collection, and Ochre: bark<br />

paintings from the collection.<br />

Asian Art<br />

Two major exhibitions <strong>of</strong> Asian art commenced in<br />

the previous financial year, both running until August<br />

1999. They were Treasures <strong>of</strong> Asian Art: Selections from<br />

the Mr & Mrs John D Rockefeller 3rd Collection <strong>of</strong> the<br />

Asia Society and Indonesian Gold: Treasures from the<br />

National Museum, Jakarta.<br />

Fragrant Space: Chinese bird and flower painting <strong>of</strong><br />

the Ming and Qing dynasties drew upon an important<br />

collection <strong>of</strong> paintings from the Guangdong Provincial<br />

Museum, China. Please the Eye, Cultivate the Mind:<br />

Chinese Painting in Australian Private Collections

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