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New Europe College Regional Program Yearbook 2001-2002

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N.E.C. <strong>Yearbook</strong> <strong>2001</strong>-<strong>2002</strong><br />

them is, therefore, an approach conscious of a crucial distance, seen<br />

through eyes which have stepped across the threshold of the destroyed<br />

house and have looked back to remember (mostly with the purpose of<br />

localizing in a proper way) the remnants of the presences that remain<br />

under ruinous cover.<br />

Apart from the metaphorical potential of this image, there are two<br />

presuppositions I would like to emphasize before approaching closely<br />

the relationship between death and vitality in the socialist monuments of<br />

Eastern <strong>Europe</strong>. Looking back at the monuments of the socialist past is,<br />

as in the Simonides example, a step in the recreation through memory of<br />

things which were not imagined as possibly “dead” before the falling of<br />

the roof; that is, there is a certain shift in the relationship between life<br />

and death in these loci, and a different treatment and attitude towards<br />

them when looking back across the threshold. Death, as encoded and<br />

perceived in these loci, possessed meanings and sense quite different<br />

from that attributed to it after the regime of permanence in the socialist<br />

system of representation had been discarded. It is this core meaning of<br />

death, in particular, enclosed within temporal limits that this paper aims<br />

to trace while keeping at bay the husks of inscriptions and new meanings<br />

that inevitably appear in a post-mortem stage. A second presupposition<br />

that needs to be pointed out is that approaching the monuments of the<br />

socialist past in Eastern <strong>Europe</strong> represents in itself a mapping of<br />

monumental sites and forms which have visually stuck in our memory<br />

and which, to anybody witness to this epoch, can easily be recognized<br />

as being present there, not completely effaced by the passage of time.<br />

However – and this must be emphasized – “recreation” through memory<br />

does not have as its aim the reconstitution or re-legitimization of socialist<br />

monuments as important elements of the system of representation, nor<br />

the taking of sides in the agora of ideas sustaining or disclaiming the<br />

existence of socialist monuments. Rather, it is a look back to a time<br />

before the representative power of the monuments had come to an end,<br />

a time in which the presences of the monuments, having already lost<br />

some of their vitality, started for the most part to become realities of<br />

memory.<br />

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